From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 9
... America . Except for this pause in his production , it is not clear why Dickens decided to leave his children in the care of friends , the actor William Macready and his family , and travel with his wife to America . Forster did not ...
... America . Except for this pause in his production , it is not clear why Dickens decided to leave his children in the care of friends , the actor William Macready and his family , and travel with his wife to America . Forster did not ...
Стр. 12
... America left Dickens feeling exposed . If he had imagined himself something of a radical , the trip made him an Englishman again.21 The novelist had arrived at a stopping place in his career before he went to America . He may vaguely ...
... America left Dickens feeling exposed . If he had imagined himself something of a radical , the trip made him an Englishman again.21 The novelist had arrived at a stopping place in his career before he went to America . He may vaguely ...
Стр. 39
... America as a “ Missionary in the cause of International Copyright . ” We have since found that we were misinformed in saying so . We had no intention , however , to disparage a gentleman whose character and genius we alike esteem , by ...
... America as a “ Missionary in the cause of International Copyright . ” We have since found that we were misinformed in saying so . We had no intention , however , to disparage a gentleman whose character and genius we alike esteem , by ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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