From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 105
... autobiographical , and the hero's chosen career , in the remainder of the novel , the same as that of his author . Where previous literature plays a part , it is a smaller part than in Martin Chuzzlewit and Dombey and Son and it is ...
... autobiographical , and the hero's chosen career , in the remainder of the novel , the same as that of his author . Where previous literature plays a part , it is a smaller part than in Martin Chuzzlewit and Dombey and Son and it is ...
Стр. 176
... autobiographical fragment can be heard in the early chapters of Great Expectations also , but with an important difference from the suf- fering endured by Dickens and Copperfield . The blacking warehouse becomes for this purpose the ...
... autobiographical fragment can be heard in the early chapters of Great Expectations also , but with an important difference from the suf- fering endured by Dickens and Copperfield . The blacking warehouse becomes for this purpose the ...
Стр. 183
... autobiographical fragment , see Nina Burgis , ed . , David Copperfield ( Oxford : Clarendon , 1981 ) , pp . xv – xxii ; and Philip Collins , “ Dickens's Autobiographical Fragment and David Copperfield , " Cahiers victoriennes et ...
... autobiographical fragment , see Nina Burgis , ed . , David Copperfield ( Oxford : Clarendon , 1981 ) , pp . xv – xxii ; and Philip Collins , “ Dickens's Autobiographical Fragment and David Copperfield , " Cahiers victoriennes et ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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