From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 89
... chapter entitled " The Thunderbolt " ( chapter 47 ) . In King Lear the rejection occurs in the first scene , when Cordelia opposes love and truth to flattery and immediately suffers the conse- quences . But Dickens develops and ...
... chapter entitled " The Thunderbolt " ( chapter 47 ) . In King Lear the rejection occurs in the first scene , when Cordelia opposes love and truth to flattery and immediately suffers the conse- quences . But Dickens develops and ...
Стр. 90
... chapter powerfully concludes , “ was in the streets " ( 47.637 ) . No one acquainted with Victorian euphemisms can mistake what it means for a homeless girl to be in the streets . Such compression may make it seem that Dickens is merely ...
... chapter powerfully concludes , “ was in the streets " ( 47.637 ) . No one acquainted with Victorian euphemisms can mistake what it means for a homeless girl to be in the streets . Such compression may make it seem that Dickens is merely ...
Стр. 147
... ( chapter 55 ) , in which both Ham and Steerforth meet their deaths , is merely the best evidence of novelistic aggression . The word painting in that chapter stirs up a storm uncharacteristic of the calm of David Copperfield as a whole ...
... ( chapter 55 ) , in which both Ham and Steerforth meet their deaths , is merely the best evidence of novelistic aggression . The word painting in that chapter stirs up a storm uncharacteristic of the calm of David Copperfield as a whole ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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