From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
Результаты поиска по книге
Результаты 1 – 3 из 59
Стр. 14
... character in the argument about Pecksniff and others in the novel . Gamp is of course a subversive char- acter , who is rebuked for her intervention by old Martin Chuzzlewit only less sternly than Pecksniff is rebuked for more ...
... character in the argument about Pecksniff and others in the novel . Gamp is of course a subversive char- acter , who is rebuked for her intervention by old Martin Chuzzlewit only less sternly than Pecksniff is rebuked for more ...
Стр. 20
... character or the plot . The straining in the punishment may tempt us to substitute some of our knowledge for his knowledge and move us to ask just where the character is coming from . If Freud could indirectly — and rather sweetly ...
... character or the plot . The straining in the punishment may tempt us to substitute some of our knowledge for his knowledge and move us to ask just where the character is coming from . If Freud could indirectly — and rather sweetly ...
Стр. 22
... character more sympathetic , by substituting hopeless bachelorhood for threatened fatherhood and boundless modesty for arrant pride , but Pinch remains something of a clown , and recalling Molière's clown helps keep Dickens's in ...
... character more sympathetic , by substituting hopeless bachelorhood for threatened fatherhood and boundless modesty for arrant pride , but Pinch remains something of a clown , and recalling Molière's clown helps keep Dickens's in ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
Ссылки на эту книгу
American Literature and the Culture of Reprinting, 1834-1853 Meredith L. McGill Недоступно для просмотра - 2007 |
Dreams of Authority: Freud and the Fictions of the Unconscious Ronald R. Thomas Ограниченный просмотр - 1990 |