From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 5
... evidence of hidden emotions need not be proportional to their hidden effects . A slightness or indeed lack of evidence may merely indicate the strength of the forces arrayed against its revelation . Thus unconscious motives account not ...
... evidence of hidden emotions need not be proportional to their hidden effects . A slightness or indeed lack of evidence may merely indicate the strength of the forces arrayed against its revelation . Thus unconscious motives account not ...
Стр. 31
... evidence of Dickens's involvement with the debate over copyright : his speeches and his silences . If we are to judge from his speeches and public activity in America , his was a reasonably straightforward advocacy of a just cause that ...
... evidence of Dickens's involvement with the debate over copyright : his speeches and his silences . If we are to judge from his speeches and public activity in America , his was a reasonably straightforward advocacy of a just cause that ...
Стр. 39
... evidence that I am rehearsing here . Dickens seems to have been the only one who was deeply sensitive as to his motives . It was he who fended most anxiously in 1842 and 1843 against the imputation of hypocrisy . The evidence suggests ...
... evidence that I am rehearsing here . Dickens seems to have been the only one who was deeply sensitive as to his motives . It was he who fended most anxiously in 1842 and 1843 against the imputation of hypocrisy . The evidence suggests ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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