From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 129
... face to face in such a way that , without presumption and without her telling him , he can realize her love . All this positioning in respect to women , es- pecially the two wives , represents most of the work in plotting the novel ...
... face to face in such a way that , without presumption and without her telling him , he can realize her love . All this positioning in respect to women , es- pecially the two wives , represents most of the work in plotting the novel ...
Стр. 146
The Identity of Dickens Alexander Welsh. X had been brought face to face with him , I could not have uttered one reproach . I should have loved him so well still ... The hero just mentions his own " unconscious part " in the seduction of ...
The Identity of Dickens Alexander Welsh. X had been brought face to face with him , I could not have uttered one reproach . I should have loved him so well still ... The hero just mentions his own " unconscious part " in the seduction of ...
Стр. 176
... face and hands , doing the coarsest part of my work , and would exult over me and despise me . Often after dark ... I would look towards those panels of black night in the wall which the wooden windows then were , and would fancy that I ...
... face and hands , doing the coarsest part of my work , and would exult over me and despise me . Often after dark ... I would look towards those panels of black night in the wall which the wooden windows then were , and would fancy that I ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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American Literature and the Culture of Reprinting, 1834-1853 Meredith L. McGill Недоступно для просмотра - 2007 |
Dreams of Authority: Freud and the Fictions of the Unconscious Ronald R. Thomas Ограниченный просмотр - 1990 |