From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 143
... hero's general passivity . Uriah Heep is a Doppelgänger , like Rigaud in Little Dorrit and Orlick in Great Expectations , in whom the aggressive and sexual demands of the hero are strangely absorbed and whose criminal doings , as ...
... hero's general passivity . Uriah Heep is a Doppelgänger , like Rigaud in Little Dorrit and Orlick in Great Expectations , in whom the aggressive and sexual demands of the hero are strangely absorbed and whose criminal doings , as ...
Стр. 146
... hero's attitude is much like that of Redlaw in The Haunted Man , and Dickens more than once expressed himself so on his own account : he did not " write resentfully or angrily " about the blacking warehouse , but neither did he want the ...
... hero's attitude is much like that of Redlaw in The Haunted Man , and Dickens more than once expressed himself so on his own account : he did not " write resentfully or angrily " about the blacking warehouse , but neither did he want the ...
Стр. 147
... hero and real novelist tend to join forces . Copperfield remains passive and law- abiding ; Dickens goes about eliminating characters who stand in his hero's path and rewarding “ thorough - going , ardent , and sincere ear- nestness ...
... hero and real novelist tend to join forces . Copperfield remains passive and law- abiding ; Dickens goes about eliminating characters who stand in his hero's path and rewarding “ thorough - going , ardent , and sincere ear- nestness ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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American Literature and the Culture of Reprinting, 1834-1853 Meredith L. McGill Недоступно для просмотра - 2007 |
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