From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 105
... less por- tentous - less meditated and less parodied — than in the previous two works . Because the matter of the novel was autobiographical , other lit- erature was less called upon for its composition . Yet , as we have seen ...
... less por- tentous - less meditated and less parodied — than in the previous two works . Because the matter of the novel was autobiographical , other lit- erature was less called upon for its composition . Yet , as we have seen ...
Стр. 166
... less an imaginative and forceful one - face the struggles of his youth and manhood without having experienced as a child the love and the hate which are encompassed in this complex : love for the maternal person who awakens his senses ...
... less an imaginative and forceful one - face the struggles of his youth and manhood without having experienced as a child the love and the hate which are encompassed in this complex : love for the maternal person who awakens his senses ...
Стр. 168
... less pleasing and less true . He made a gift of Copperfield to Martha Bernays and wrote her that it was most nearly free of mannerisms among those he had read : “ the characters are individualized ; they are sinful without being ...
... less pleasing and less true . He made a gift of Copperfield to Martha Bernays and wrote her that it was most nearly free of mannerisms among those he had read : “ the characters are individualized ; they are sinful without being ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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