From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 38
... motive . The reviewer has tracked down the motive like a detective ; the novelist sensibly changes the venue to the field of honor , where it was still possible in Victorian times to assert sole possession of one's motives . These ...
... motive . The reviewer has tracked down the motive like a detective ; the novelist sensibly changes the venue to the field of honor , where it was still possible in Victorian times to assert sole possession of one's motives . These ...
Стр. 39
... motives . It was he who fended most anxiously in 1842 and 1843 against the imputation of hypocrisy . The evidence suggests that he probably did go to America with the idea of doing something about international copyright , and in any ...
... motives . It was he who fended most anxiously in 1842 and 1843 against the imputation of hypocrisy . The evidence suggests that he probably did go to America with the idea of doing something about international copyright , and in any ...
Стр. 120
... motive , to which he is committed as single- mindedly and persistently as he is to doubting the motives of others . The exclusive motive of his life , it appears , like Triboulet's in Le Roi s'amuse or Rigoletto's in the opera , is a ...
... motive , to which he is committed as single- mindedly and persistently as he is to doubting the motives of others . The exclusive motive of his life , it appears , like Triboulet's in Le Roi s'amuse or Rigoletto's in the opera , is a ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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American Literature and the Culture of Reprinting, 1834-1853 Meredith L. McGill Недоступно для просмотра - 2007 |
Dreams of Authority: Freud and the Fictions of the Unconscious Ronald R. Thomas Ограниченный просмотр - 1990 |