From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 48
... objects which were dearest to his heart " comes close to stating without naming Dickens's objects . What is there about trying one's hand as architect and surveyor , somewhere on the American frontier , “ that men going there in the ...
... objects which were dearest to his heart " comes close to stating without naming Dickens's objects . What is there about trying one's hand as architect and surveyor , somewhere on the American frontier , “ that men going there in the ...
Стр. 56
... object of all four of these gentlemen , and I dare say would have been the love object of Jonas Chuzzlewit as well , if the novelist had not felt the need to make some- one — namely , Mercy Pecksniff — really suffer for the latter's ...
... object of all four of these gentlemen , and I dare say would have been the love object of Jonas Chuzzlewit as well , if the novelist had not felt the need to make some- one — namely , Mercy Pecksniff — really suffer for the latter's ...
Стр. 150
... object or incident " with " its most enchanting sentiment , " though both conditions remain somewhat vague and entangled with Mr. Mi- cawber's contribution to the novel . Even Micawber , apparently , cannot raise Copperfield to rank ...
... object or incident " with " its most enchanting sentiment , " though both conditions remain somewhat vague and entangled with Mr. Mi- cawber's contribution to the novel . Even Micawber , apparently , cannot raise Copperfield to rank ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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American Literature and the Culture of Reprinting, 1834-1853 Meredith L. McGill Недоступно для просмотра - 2007 |
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