From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 25
... Obviously no one has this role in the action of the novel ; only the author can be said to have an analogous role . The bald and white - fringed organist is depicted in all the illustrations as much older than he is said to be in the ...
... Obviously no one has this role in the action of the novel ; only the author can be said to have an analogous role . The bald and white - fringed organist is depicted in all the illustrations as much older than he is said to be in the ...
Стр. 30
... obviously two - sided : as the agents of his disillusion- ment with their country , in their fulsome disregard of ... obvious stamp . But his fiercely " objective " way of looking upon them in the novel has also its subjective ground in ...
... obviously two - sided : as the agents of his disillusion- ment with their country , in their fulsome disregard of ... obvious stamp . But his fiercely " objective " way of looking upon them in the novel has also its subjective ground in ...
Стр. 96
... obviously resem- ble what Dickens has done with Cordelia in imagining Florence Dom- bey , as well as the characters he would subsequently invent for Agnes Wickfield and Amy Dorrit . Shakespeare might have been surprised at the pity ...
... obviously resem- ble what Dickens has done with Cordelia in imagining Florence Dom- bey , as well as the characters he would subsequently invent for Agnes Wickfield and Amy Dorrit . Shakespeare might have been surprised at the pity ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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American Literature and the Culture of Reprinting, 1834-1853 Meredith L. McGill Недоступно для просмотра - 2007 |
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