From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 25
... possible to identify with the appearance or the reality of such a person , with the picture of virtue or the activity of self - aggrandizement . The objection to identifying with both at once is the moral objection to falsity or ...
... possible to identify with the appearance or the reality of such a person , with the picture of virtue or the activity of self - aggrandizement . The objection to identifying with both at once is the moral objection to falsity or ...
Стр. 40
... possible to generalize about Dickens's predicament within a culture that persistently reproves selfishness and rewards the selfish . Both gentlemanly and Christian codes of behavior exact a selflessness that is still evident in the ...
... possible to generalize about Dickens's predicament within a culture that persistently reproves selfishness and rewards the selfish . Both gentlemanly and Christian codes of behavior exact a selflessness that is still evident in the ...
Стр. 154
... possible instigation of both the autobiographical fragment and the novel , and from two directions . Albert Hutter argues that when Dickens wrote the fragment , his eldest child , Charley , was between ten and twelve years old , or the ...
... possible instigation of both the autobiographical fragment and the novel , and from two directions . Albert Hutter argues that when Dickens wrote the fragment , his eldest child , Charley , was between ten and twelve years old , or the ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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