From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 62
... seems to collapse identities , while the undifferentiated use of " Martin " has already made the dialogue sound like an interior monologue . Though it remains obscure how Pecksniff hoped to prey on young Martin , or influence the ...
... seems to collapse identities , while the undifferentiated use of " Martin " has already made the dialogue sound like an interior monologue . Though it remains obscure how Pecksniff hoped to prey on young Martin , or influence the ...
Стр. 116
The Identity of Dickens Alexander Welsh. seems to have been or become in writing Copperfield - Dickens could not ... seem to comment a little mischie- vously on Dickens's enterprise in writing this novel and , by extension , any other ...
The Identity of Dickens Alexander Welsh. seems to have been or become in writing Copperfield - Dickens could not ... seem to comment a little mischie- vously on Dickens's enterprise in writing this novel and , by extension , any other ...
Стр. 127
... seems to have forgotten that Copperfield himself recognized the foolishness of his young love . A week later , in a third letter , he was advising his old love how they might meet privately . * It simply does not make sense , however ...
... seems to have forgotten that Copperfield himself recognized the foolishness of his young love . A week later , in a third letter , he was advising his old love how they might meet privately . * It simply does not make sense , however ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
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Другие издания - Просмотреть все
From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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American Literature and the Culture of Reprinting, 1834-1853 Meredith L. McGill Недоступно для просмотра - 2007 |
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