From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 6
... tell . No man's imagination can overstep the reality . But I kept my counsel , and I did my work . 10 Dickens believed , at the time of the telling , 6 Charles Dickens.
... tell . No man's imagination can overstep the reality . But I kept my counsel , and I did my work . 10 Dickens believed , at the time of the telling , 6 Charles Dickens.
Стр. 116
... tell of his professional writing bespeaks confidence ; the confusion and redundancy of nearly every other producer of writing whom he describes — Mr . Micawber , Dr. Strong , and the curiously named Mr. Dick ― tell another story . If ...
... tell of his professional writing bespeaks confidence ; the confusion and redundancy of nearly every other producer of writing whom he describes — Mr . Micawber , Dr. Strong , and the curiously named Mr. Dick ― tell another story . If ...
Стр. 178
... tell you everything . ” They go on walks together and she becomes associated with beautiful weather rather than ... telling this tale against himself . The relationship of Copperfield to Agnes is being told over again , but critically ...
... tell you everything . ” They go on walks together and she becomes associated with beautiful weather rather than ... telling this tale against himself . The relationship of Copperfield to Agnes is being told over again , but critically ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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