From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 98
... woman - the woman who bears him , the woman who is his mate and the woman who destroys him ; or that they are the three forms taken by the figure of the mother in the course of a man's life - the mother herself , the beloved one who is ...
... woman - the woman who bears him , the woman who is his mate and the woman who destroys him ; or that they are the three forms taken by the figure of the mother in the course of a man's life - the mother herself , the beloved one who is ...
Стр. 131
... woman , the narrator is most nearly relentless . The image is always that of a woman passing by and the male trying not to look . The story of Emily's fall today seems something of a power play . Dickens engaged in power plays at ...
... woman , the narrator is most nearly relentless . The image is always that of a woman passing by and the male trying not to look . The story of Emily's fall today seems something of a power play . Dickens engaged in power plays at ...
Стр. 174
... woman he encounters , including , in the excised chapter of The Devils , a girl of twelve — all in fact but the crippled and retarded woman whom he instead insults by marrying and never touch- ing . Like Steerforth , he has his good ...
... woman he encounters , including , in the excised chapter of The Devils , a girl of twelve — all in fact but the crippled and retarded woman whom he instead insults by marrying and never touch- ing . Like Steerforth , he has his good ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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