From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 124
... women outside marriage . In the second instance , it is almost as if the fortunate falls of Chuzzlewit and the tragic fall of Dombey were displaced by Copperfield's interest in fallen women : if the fall of an ambitious man can be ...
... women outside marriage . In the second instance , it is almost as if the fortunate falls of Chuzzlewit and the tragic fall of Dombey were displaced by Copperfield's interest in fallen women : if the fall of an ambitious man can be ...
Стр. 129
... women in his life . Mothers and stepmothers have to be moved out ; surrogate mothers , moved in . The heart has to be disciplined , and this aim is achieved , more strenuously , by moving Dora - out . Finally , in the most difficult ...
... women in his life . Mothers and stepmothers have to be moved out ; surrogate mothers , moved in . The heart has to be disciplined , and this aim is achieved , more strenuously , by moving Dora - out . Finally , in the most difficult ...
Стр. 132
... women are often with other women . A favorite cautionary device is to juxtapose a pros- titute , excluded from society , with another woman still within its bounds , perhaps the heroine herself . Dickens thus juxtaposed Alice Marwood ...
... women are often with other women . A favorite cautionary device is to juxtapose a pros- titute , excluded from society , with another woman still within its bounds , perhaps the heroine herself . Dickens thus juxtaposed Alice Marwood ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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