From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 116
... writer , every writer but the hero — or his muse - writes wildly or hope- lessly . The very refusal of the narrator to tell of his professional writing bespeaks confidence ; the confusion and redundancy of nearly every other producer of ...
... writer , every writer but the hero — or his muse - writes wildly or hope- lessly . The very refusal of the narrator to tell of his professional writing bespeaks confidence ; the confusion and redundancy of nearly every other producer of ...
Стр. 118
... writing : even Dick must apply himself and make his writing count for something . The occasion is the supposed bankruptcy of Aunt Betsey , who has charitably supported both Dick and Copperfield until now . " If I could exert myself ...
... writing : even Dick must apply himself and make his writing count for something . The occasion is the supposed bankruptcy of Aunt Betsey , who has charitably supported both Dick and Copperfield until now . " If I could exert myself ...
Стр. 156
... writing by writing David Copperfield . He wrote this version of his childhood when he was thirty - seven and pretty well had to accept that he was the hero of his own life . We do not know when Dickens discovered or decided that his ex ...
... writing by writing David Copperfield . He wrote this version of his childhood when he was thirty - seven and pretty well had to accept that he was the hero of his own life . We do not know when Dickens discovered or decided that his ex ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
Не показаны другие разделы: 11
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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