From Copyright to Copperfield: The Identity of DickensHarvard University Press, 1987 - Всего страниц: 200 |
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Стр. 61
... young Martin became secretly penitent in Eden . The kind of criticism that modern readers are likely to level against Milton's God - that he finally need not have permitted evil in the world — has been accommodated within Dickens's text ...
... young Martin became secretly penitent in Eden . The kind of criticism that modern readers are likely to level against Milton's God - that he finally need not have permitted evil in the world — has been accommodated within Dickens's text ...
Стр. 65
... young Martin and Pinch are expelled , one after the other , from the supposed pastoral innocence that imbues Pecksniff's home . ” An inversion of the case of Adam and Eve is apparent in the situation itself , since Pecksniff is neither ...
... young Martin and Pinch are expelled , one after the other , from the supposed pastoral innocence that imbues Pecksniff's home . ” An inversion of the case of Adam and Eve is apparent in the situation itself , since Pecksniff is neither ...
Стр. 127
... young men and women . But they little thought what reason I had to know it was true and nothing more nor less . By 1855 Dickens seems to have forgotten that Copperfield himself recognized the foolishness of his young love . A week later ...
... young men and women . But they little thought what reason I had to know it was true and nothing more nor less . By 1855 Dickens seems to have forgotten that Copperfield himself recognized the foolishness of his young love . A week later ...
Содержание
Charles Dickens | 1 |
Our English Tartuffe | 16 |
Hypocrisy and Copyright | 29 |
Авторские права | |
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From Copyright to Copperfield: The Identity of Dickens Alexander Welsh Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
action Agnes America appears autobiographical bear become begins believe called chapter character Charles child childhood close comes course criticism daughter David Copperfield death Dick Dickens Dickens's Dombey Dora early effect English evidence experience face fact fall famous father feelings fiction figure finally Forster fragment hand Heep hero hero's hope hypocrite idea identity imagination interest Jonas kind King later Lear least less letter lives look Mark marriage Martin Chuzzlewit means memory Micawber mind moral mother motives narrator nature never novel novelist object obviously once Pecksniff Pinch play possible present projection question readers reason reference relation scene seems selfishness sense sexual side speak Steerforth story Strong success suffering suggests tell thing thought turn whole woman women writing young
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