ESSAY XIII.

ON THE PLEASURE OF HATING.

THERE is a spider crawling along the matted floor of the room where I sit (not the one which has been so well allegorised in the admirable Lines to a Spider, but another of the same edifying breed)-he runs with heedless, hurried haste, he hobbles awkwardly towards me, he stops he sees the giant shadow before him, and, at a loss whether to retreat or proceed, meditates his huge foe-but as I do not start up and seize upon the straggling caitiff, as he would upon a hapless fly within his toils, he takes heart, and ventures on, with mingled cunning, impudence, and fear. As he passes me, I lift up the matting to assist his escape, am glad to get rid of the unwelcome intruder, and shudder at the recollection after he is gone. A child, a woman, a clown, or a moralist a century ago, would have crushed the little reptile to death-my philosophy has got beyond that I bear the creature no ill-will, but still I

hate the very sight of it. The spirit of malevolence survives the practical exertion of it. We learn to curb our will and keep our overt actions within the bounds of humanity, long before we can subdue our sentiments and imaginations to the same mild tone. We give up the external demonstration, the brute violence, but cannot part with the essence or principle of hostility. We do not tread upon the poor little animal in question (that seems barbarous and pitiful!) but we regard it with a sort of mystic horror and superstitious loathing. It will ask another hundred years of fine writing and hard thinking to cure us of the prejudice, and make us feel towards this ill-omened tribe with something of "the milk of human kindness," instead of their own shyness and venom.

Nature seems (the more we look into it) made up of antipathies: without something to hate, we should lose the very spring of thought and action. Life would turn to a stagnant pool, were it not ruffled by the jarring interests, the unruly passions of men. The white streak in our own fortunes is brightened (or just rendered visible) by making all around it as dark as possible; so the rainbow paints its form upon the cloud. Is it pride? Is it envy? Is it the force of contrast? Is it weakness or malice? But so it is,