respected, but his productions seldom excited much approbation, nor have there been many instances where an artist, with so much general capacity and vigour of mind, has not been able to make greater proficiency. In 1781 he obtained a premium from the society of arts for a landscape painting; and the same year he presented to the royal society a paper on the storm at Roehampton, accompanied by drawings made by himself of the singular effects of it. In June 1782, he went to Bath, where he was employed to paint three arabesque ceilings, in the house of the honourable Charles Hamilton. This was one of the greatest commissions he ever received, and occupied him till March 1783; and the politeness and liberality of Mr. Hamilton made his time pass very agreeably. He soon after met with less liberal treatment from Horace Walpole, who gave him some commissions until 1784, when their intercourse ceased. Walpole had been, as he thought, charged too much for a cabinet made by a person recommended by Edwards, and expressed himself on the subject with so much petulance and coarseness as to provoke Edwards to reply with proper indignation.

Of Mr. Edwards's commissions after this, we shall only notice his picture of a hunting party for Mr. Estcourt, in 1786; a collection of etchings, fifty-two in number, published by Leigh and Sotheby in 1799; his "Commemoration of Handel in Westminster-abbey ;" and his picture from the "Two Gentlemen of Verona," for the Shakspeare gallery. To enumerate further would be only an account of various small commissions which always gave satisfaction, but were not attended by the fame or profit of his more successful brethren. In 1788, he was appointed teacher of perspective in the royal academy, and was continued in that situation during the remainder of his life. For this he had qualified himself by long study, the fruits of which were given to the public in a "Treatise on Perspective," 1803, 4to, with forty plates, a work, not certainly without defects, but upon the whole, judicious, comprehensive, and useful.

In 1800 he lost his mother, whom he had hitherto maintained with true filial piety, at the age of ninety-three. His sister continued to reside with him; and his prudence, aided by her economy and good management, enabled him to subsist with credit with a very small income, which was gradually becoming less. Still his spirits were uni

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formly cheerful, and in society he was to the last lively and agreeable. His conduct had been virtuous and irreproachable, and his religious sentiments supported him amidst every adversity. He had failed in nothing but in his endeavour to acquire greater power in the art to which he had devoted himself; and in this, all that depended upon himself had been done. The employment of his latter years was superintending at the press his "Anecdotes of Painters," intended as a supplement to lord Orford's work. For this he had long been collecting ma terials, and although his criticisms may not on every occas sion accord with the general opinion, he is accurate in his facts, which he took much pains to ascertain from an acquaintance with all the members of his profession for nearly half a century.

He died of a very short illness, and indeed almost suddenly, Dec. 19, 1806, and his funeral at St. Pancras churchyard, was attended by many members of the royal academy, who paid an unfeigned tribute of respect to the memory of his useful and blameless life. 1

'

EDWARDS (GEORGE), an eminent English naturalist, was born April 3, 1693, at Stratford, a hamlet belonging to West-Ham, in Essex. Some of his early years were passed under the tuition of two clergymen, one of whom kept a school at Laytonstone, and the other at Brentwood, after which, being designed by his parents for business, he was put apprentice to a tradesman in Fenchurch-street. He was particularly happy in his master, who treated him with great kindness and civility; and who, besides his being a man of a strict regard to religion, had the uncommon qualification of being well skilled in the learned languages. About the middle of the term of Mr. Edwards's apprenticeship, an event happened, which gave a direction to his future studies. Upon the death of Dr. Nicholas, a person of eminence in the physical world, and a relation of Edwards's master, the doctor's books, which were very numerous, were removed to our apprentice's apartment. So unexpected an opportunity of acquiring knowledge he embraced with eagerness, and passed all the leisure of the day, and not unfrequently a considerable part of the night, in turning over Dr. Nicholas' collections of natural history, sculpture, painting, astronomy, and antiquities. From this

1 Memoirs prefixed to his " Anecdotes of Painters," published in 1808, 4to.

time, he lost what little relish he had for trade, and on the expiration of his servitude, formed the design of travelling into foreign countries for the purpose of improving his taste, and enlarging his mind. His first voyage was to Holland in 1716, when he visited most of the principal towns of the United Provinces. He then returned to England, and continued two years unemployed in London and its neighbourhood, though not without increasing his acquaintance with natural history. His next voyage was to Norway, where an active and philosophic mind, like his, could not fail to be highly gratified both with the stupendous scenery of nature, and with the manners of the inhabitants. In an excursion to Frederickstadt, he was not far distant from the cannon of Charles XII. of Sweden, who was then engaged in the siege of that place, before which he lost his life. By this circumstance Mr. Edwards was prevented from visiting Sweden, the Swedish army being particularly watchful against strangers. Notwithstanding all his precaution, and his solicitude to give no offence on either side, he was once confined by the Danish guard, who supposed him to be a spy employed by the enemy to procure intelligence of their designs. Upon obtaining testimonials, however, of his innocence, a release was granted.

In July 1718, he embarked for England, and soon after his arrival, retired to his native place, where he spent the winter. But being desirous of visiting France, he went thither in 1719, and after viewing the curiosities of Paris, took a lodging in a village situated in the great park of Versailles. His view was to enlarge his knowledge of natural history, but, to his great mortification, there was not at that time a living creature in the menagerie. As the court, during the king's minority, did not reside at Versailles, the famous collection of animals had been so totally neglected, that they were all either dead or dispersed. To relieve his disappointment, Mr. Edwards amused himself in surveying the several churches and religious houses, and especially the statues and pictures in the public buildings. While he resided in France, he made two journeys of a hundred miles each. The first was to Chalons in Champagne, in May 1720; the second was on foot, to Orleans and Blois. This was performed in a disguised habit that he might avoid being robbed, but the scheme happened to be peculiarly hazardous; for an edict had recently been

issued to secure vagrants, in order to transport them to America, the banks of the Missisippi standing in need of population; and our philosopher narrowly escaped a western voyage.

On his return to England, he closely pursued his favourite study of natural history; applying himself to the drawing and colouring of such animals as fell under his notice. His earliest care was rather to preserve natural than picturesque beauty. Birds first engaged his particular attention; and some of the best pictures of these subjects being purchased by him, he was induced to make a few drawings of his own. These were admired by the curious, who, by paying a good price for them, encouraged him in labours which now procured him a decent subsistence and a large acquaintance: In 1731 he was enabled to remit bis industry, and, in company with two of his relations, made an excursion to Holland and Brabant, where he collected several scarce books and prints, and had an opportunity of examining the original pictures of various great masters, at Antwerp, Brussels, Utrecht, and other large cities. In December 1733, by the recommendation of sir Hans Sloane, president of the college of physicians, he was chosen their librarian, and had apartments assigned him in the college. This, which was the principal epocha of his private life, fixed him in an office that was particularly agreeable to his taste and inclination. He had now an opportunity of a constant recourse to a valuable library, filled with scarce and curious books on those subjects of natural history which he most assiduously studied. By degrees he became one of the most eminent ornithologists in our own or any other country, and in acquiring this character, such was his scrupulous industry, that he never trusted to others what he could perform himself; and when he found it difficult to give satisfaction to his own mind, frequently made three or four drawings to delineate the object in its most lively character, attitude, and representation.

In 1743, he exhibited to the world an admirable specimen of his labours, in the first volume of his "History of Birds." It was published in 4to, on royal paper, and contains sixty-one birds, and two quadrupeds, most of which had been neither delineated nor described before. They are engraved on fifty-two plates, from original drawings, exactly coloured, with full and accurate descriptions

in French and English. This volume is dedicated to the president and fellows of the royal college of physicians. His subscribers having exceeded his most sanguine expectations, a second volume appeared in 1747, dedicated to sir Hans Sloane, and a third in 1750, dedicated to the royal society. His fourth volume came from the press in 1751, and was the last which at that time he intended to publish. It was accompanied by the extraordinary circumstance of being dedicated to the Supreme Being, in the following words:

"To GOD,

"The One Eternal! the Incomprehensible! the Omnipresent, the Omniscient, and Almighty Creator of all Things that exist! from Orbs immensurably great, to the minutest points of matter, this Atom is dedicated and devoted, with all possible Gratitude, Humiliation, Worship, and the highest Adoration both of Body and Mind,

By his most resigned,

low, and humble, Creature, GEORGE EDWARDS."

This dedication, we doubt not, was piously designed, but it cannot be commended. Such an assumption, it has been observed, is too great for any human creature, and the few instances of the kind that have occurred in the history of literature have always been justly disapproved. It is not, however, the only instance we have to record of the peculiar turn of his religious affections.

But with this work it soon appeared that he did not mean to discontinue his labours; his mind was too active, and his love of knowledge too ardent, for him to rest satisfied with what he had already done. Accordingly, in 1758, he published his first volume of "Gleanings of Natural History," exbibiting seventy different birds, fishes, insects, and plants, most of which were before non-descripts, coloured from nature, on fifty copper-plates. This work much increased his fame as a natural historian, and as au artist. In 1760, a second volume appeared, dedicated to the late earl of Bute, whose studious attachment to natural history, particularly to botany, was then well known. The third part of the "Gleanings," which constituted the 7th and last volume of Mr. Edwards's works, was published in 1763, and was dedicated to earl Ferrers, who, when captain Shirley, had taken in a French prize, a great number of birds, intended for madame Pompadour, mistress