 It is not always very nicely distinguished from tragedy. There is not much nearer approach to unity of action in the tragedy of Antony and Cleopatra than in the history of Richard the Second.  Annual Registerредактор(ы): - 1765Просмотр фрагмента - Подробнее о книге
 | Samuel Johnson - 1765 - Страниц: 80
...action in the tragedy of Antony and Cleopatra, than in the hi (lory of Rubard the Second. But a hiilory might be continued through many plays; as it had no...limits. Through all thefe denominations of the drama, Shake/pear is mode of compofition is the fame ; an interchange of ferioufnefs and merriment, by which... | |
 | William Shakespeare - 1768 - Страниц: 676
...Cleopatra, than in the hiftory of Richard lie Second. But a hiftory might be continued through many plays j as it had no plan, it had no limits. Through all thefe denominations of the drama, Sbakefpcaris mode of competition is the fame ; an interchange of ferioufneis and merriment, by which... | |
 | William Shakespeare - 1773 - Страниц: 554
...to unity of action in the tragedy of Antony and Ckopatra, than in the hiftory of Richard the Se(ond. But a hiftory might be continued through many plays...denominations of the drama, Shakefpeare's mode of competition is the fame; an interchange of ferioufnefs and merriment, by which the mind is foftened... | |
 | Samuel Johnson - 1774 - Страниц: 374
...Unity of Action in the Tragedy of Anthony and Cleopatra , than in the Hiftory of Richard the fecund. But a Hiftory might be continued through many Plays...Mode of Compofition is the fame ; an Interchange of Serioufnefs and Merriment, by which the Mind is foftened at one Time, and exhilarated at another. But... | |
 | Samuel Johnson - 1774 - Страниц: 374
...Unity of Action in the Tragedy of Anthony and Cleopatra, than in the Hiftory of Richard thefecond. But a Hiftory might be continued through many Plays...Limits. Through all thefe Denominations of the Drama, Sbakefpeare's Mode of Compofition is the fame ; an Interchange of Serioufnefs and Merriment, by which... | |
 | Samuel Johnson - 1774 - Страниц: 412
...Cleopatra, than in the Hiftory of Rithard the fecund. But a Hiftory might be continued through many Flays ; as it had no Plan, it had no Limits. Through all thefe Denominations of the Drama, Sbaktfyearis Mode of CompoCtion is the fame ; an Interchange of Serioufnefs and Merriment, by which... | |
 | William Shakespeare - 1778 - Страниц: 746
...unity of action in the tragedy of Antony and Cleopatra, than in the hiftory of Richard the Second. But a hiftory might be continued through many plays ; as it had no plan, it had no limits. Through Through all thefe denominations of the drama, Shakefpeare's mode of compofition is the fame ; an interchange... | |
 | Samuel Johnson, John Hawkins - 1787 - Страниц: 500
...unity of action in the tragedy of Antony and Cleopatra, than in the hiftory of Richard the Second. But a hiftory might be continued through many plays...limits. Through all thefe denominations of the drama, Sbakejpeare's mode of compofition is the fame; an interchange of ferioufnefs and merriment, by which... | |
 | William Shakespeare - 1788 - Страниц: 346
...action in the tragedy of Antony and Cleopatra, than in the history of Richard the Second. But a history might be continued through many plays ; as it had no plan, it had no limits. Through all these denominations of the drama, Shakspere's mode of composition is the same ; an interchange of seriousness... | |
 | Vicesimus Knox - 1790 - Страниц: 1058
...Cleopatra, than in the hiitcry of Richard the Second. But a hiftory might be continued F f through through many plays ; as it had no plan, it had no...limits. Through all thefe denominations of the drama, S hakefpeare's mode of cotnpofiticn is the fame; an interchange of ferioufnels ar,d merriment, by which... | |
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