Handbook to the Public Galleries of Art in and Near London: With Catalogues of the Pictures Accompanied by Critical, Historical, and Biographical Notices, and Copious Indexes to Facilitate Reference, Том 1J. Murray, 1842 |
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Стр. xiii
... colour on a uniform surface : as compared with sculpture , it is more extensive in the range of subjects which it is capable of treating , and more various in the modes in which it affords pleasure by such representation . Those ...
... colour on a uniform surface : as compared with sculpture , it is more extensive in the range of subjects which it is capable of treating , and more various in the modes in which it affords pleasure by such representation . Those ...
Стр. xiv
... colour . As examples of grandeur in the treatment of sacred subjects we have the Cartoons of Raphael at Hampton Court , and the " Raising of Lazarus " in the National Gal- lery ( No. 1 ) . Of grandeur in the treatment of profane ...
... colour . As examples of grandeur in the treatment of sacred subjects we have the Cartoons of Raphael at Hampton Court , and the " Raising of Lazarus " in the National Gal- lery ( No. 1 ) . Of grandeur in the treatment of profane ...
Стр. xix
... colour , & c . , as by the mental and moral impress on the works which proceeded from them . Compare , for instance , the pre- vailing sentiment of the early Bolognese school of Francia and his compeers to that of the later Bolognese ...
... colour , & c . , as by the mental and moral impress on the works which proceeded from them . Compare , for instance , the pre- vailing sentiment of the early Bolognese school of Francia and his compeers to that of the later Bolognese ...
Стр. xxiii
... colours themselves . ” " Speaking of colouring , we use the words hue , tone , tint , contrast , harmony . Hue is the peculiar quality of a colour , that which distinguishes one colour from another , as red from blue , throughout all ...
... colours themselves . ” " Speaking of colouring , we use the words hue , tone , tint , contrast , harmony . Hue is the peculiar quality of a colour , that which distinguishes one colour from another , as red from blue , throughout all ...
Стр. xxiv
... colour in a picture is the hue proper to each object represented , without regard to tone or tint . Colours are said ... colour with faulty design is Rubens ; an equally eminent example of correct design with inferior colour is Nicolò ...
... colour in a picture is the hue proper to each object represented , without regard to tone or tint . Colours are said ... colour with faulty design is Rubens ; an equally eminent example of correct design with inferior colour is Nicolò ...
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Handbook to the Public Galleries of Art in and Near London: With Catalogues ... Mrs Jameson (Anna) Недоступно для просмотра - 2015 |
Handbook to the Public Galleries of Art in and Near London: With Catalogues ... Jameson (anna) Недоступно для просмотра - 2020 |
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admirable afterwards Andrea Andrea del Sarto Angerstein Annibal Carracci Appraised and sold artist beauty bequeathed brought celebrated character Charles's Christ Claude colour composition Correggio death died Domenichino drapery drawing Duke Dyck Earl effect elegant England Engraved excelled execution expression fancy feeling figures finest foreground GASPAR POUSSIN genius Giorgione grace GUERCINO Guido guineas half-length Hampton Court hand head Henry Hogarth Holbein Holwell Holwell Carr Holy Family imitation Italian John King Charles King James's Catalogue Lady Landscape Lely life-size look Lord Louvre LUDOVICO CARRACCI manner Mary master Michael Angelo National Gallery nature painter Palace Paul Veronese picture was painted portrait possession Poussin presented Prince Queen Raphael reign Rembrandt represented Rome royal collection Rubens says scene Sebastian seen Sir George Beaumont Sir Joshua Reynolds Sir Thomas Lawrence style taste Teniers Titian tone Van Dyck Virgin Waagen Walpole Whitehall Windsor woman
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Стр. 84 - And the Lord sent fiery serpents among the people, and they bit the people ; and much people of Israel died.
Стр. 19 - And Jesus lifted up his eyes, and said, Father, I thank thee that thou hast heard me. And I knew that thou hearest me always : but because of the people which stand by I said it, that they may believe that thou hast sent me.
Стр. 159 - And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them. And their eyes were opened, and they knew him ; and he vanished out of their sight.
Стр. 172 - Imitations of original Drawings by Hans Holbein, in the Collection of His Majesty, for the Portraits of Illustrious Persons of the Court of Henry VIII. with biographical Tracts. Published by John Chamberlaine, Keeper of the King's Drawings and Medals.
Стр. 71 - Your nuts in oak-tree cleft? — 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; Great God of breathless cups and chirping mirth! Come hither, lady fair, and joined be To our mad minstrelsy!
Стр. 88 - And the kine took the straight way to the way of Bethshemesh, and went along the highway, lowing as they went, and turned not aside to the right hand or to the left; and the lords of the Philistines went after them unto the border of Bethshemesh. 13. And they of Bethshemesh were reaping their wheat harvest in the valley: and they lifted up their eyes, and saw the ark, and rejoiced to see it.
Стр. 19 - And when he thus had spoken, he cried with a loud voice, Lazarus, come forth. And he that was dead came forth, bound hand and foot with graveclothes : and his face was bound about with a napkin. Jesus saith unto them, Loose him, and let him go.
Стр. 118 - Now scarcely moving through a reedy pool, Now starting to a sudden stream, and now Gently diffus'd into a limpid plain ; A various group the herds and flocks compose, Rural confusion ! on the grassy bank Some ruminating lie ; while others stand Half in the flood, and often bending, sip The circling surface.
Стр. 43 - Pilate therefore went forth again, and saith unto them, Behold, I bring him forth to you, that ye may know that I find no fault in him.
Стр. xliii - These are symptoms of the mortality of man ; and, perhaps, few of his works are more evanescent than paintings. Sculpture retains its freshness for twenty centuries — the Apollo and the Venus are as they were. But books are perhaps the only productions of man coeval with the human race.