Hollywood as Historian: American Film in a Cultural ContextPeter C. Rollins University Press of Kentucky, 1983 - Всего страниц: 276 Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame... |
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... HOLLYWOOD'S MYTHS AND SYMBOLS ARE PERMANENT FEATURES OF America's historical consciousness . In an obvious way , strictly historical films have recreated dramatic struggles — or revived historical personalities . For this collection ...
... HOLLYWOOD'S MYTHS AND SYMBOLS ARE PERMANENT FEATURES OF America's historical consciousness . In an obvious way , strictly historical films have recreated dramatic struggles — or revived historical personalities . For this collection ...
Стр. 3
... Hollywood . When war came to America , Hollywood professionals , under the general supervision of Frank Capra , were drafted by Washington to make films which would explain Why We Fight . The Depression and wartime experi- ments in ...
... Hollywood . When war came to America , Hollywood professionals , under the general supervision of Frank Capra , were drafted by Washington to make films which would explain Why We Fight . The Depression and wartime experi- ments in ...
Стр. 136
... Hollywood , at- tempting to grapple with the social problems it largely had ignored in the thirties , was not immune , as an examination of the 1948 film The Snake Pit reveals . The Snake Pit contains an essential paradox . Conceived by ...
... Hollywood , at- tempting to grapple with the social problems it largely had ignored in the thirties , was not immune , as an examination of the 1948 film The Snake Pit reveals . The Snake Pit contains an essential paradox . Conceived by ...
Содержание
How Fox Innovated Sound | 20 |
Three Documentaries of the | 32 |
City Lights 1931 Modern Times 1936 | 49 |
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Другие издания - Просмотреть все
Hollywood as Historian: American Film in a Cultural Context Peter C. Rollins Ограниченный просмотр - 1983 |
Hollywood As Historian: American Film in a Cultural Context Peter C. Rollins Ограниченный просмотр - 2021 |
Hollywood As Historian: American Film in a Cultural Context Peter C. Rollins Ограниченный просмотр - 2014 |
Часто встречающиеся слова и выражения
aesthetic American Film Anatole Litvak Army Art/Film Stills Archive artistic audience Baker camera Chaplin Cinema City Lights Code comedy Communist Coppola critical cultural director documentary dramatic Elia Kazan Father Barry film's filmmakers Ford Ford's Fox Film Fox-Case Freudian Grapes of Wrath historians Hollywood human images interest interview Joads John Ford Journal Kazan Kubrick Kurtz Land Lee De Forest Legion Leo Hurwitz liberal literary Maland March Modern Art/Film Stills moral Moss Motion Picture movie MPAA Museum of Modern National NCOMP Negro Soldier newsreel novel nuclear Pare Lorentz played political popular President Press problems production racial Review role scene Schulberg screen script shots Snake Pit social sound sound-on-film spoken word story Strangelove suggested Theatre theme tion tramp Univ University Variety Vietnam viewer Virginia Woolf visual Warner Bros Warner Brothers Washington Waterfront Willard William Fox Woodrow Wilson Zanuck