Hollywood as Historian: American Film in a Cultural ContextPeter C. Rollins University Press of Kentucky, 1983 - Всего страниц: 276 Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame... |
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Стр. 98
... audiences Wilson was thought - provoking and timely . An unusual motion picture , ostensibly intended for the purpose of ... audience not only of Wilson's goodness but his greatness as well , Knox's interpretation of Wilson as President ...
... audiences Wilson was thought - provoking and timely . An unusual motion picture , ostensibly intended for the purpose of ... audience not only of Wilson's goodness but his greatness as well , Knox's interpretation of Wilson as President ...
Стр. 103
... audience in New York " left the theater with the feeling that this generation must repair the errors which made possible the present holocaust . " Convinced that Wilson was " going to have a great effect throughout the country ...
... audience in New York " left the theater with the feeling that this generation must repair the errors which made possible the present holocaust . " Convinced that Wilson was " going to have a great effect throughout the country ...
Стр. 183
... audience anticipate Terry's emo- tional response . Thus , in the final scene when the first person camera returns , the audience should recognize that Terry is motivated more by vengeance than by altruism . The film's structural ...
... audience anticipate Terry's emo- tional response . Thus , in the final scene when the first person camera returns , the audience should recognize that Terry is motivated more by vengeance than by altruism . The film's structural ...
Содержание
How Fox Innovated Sound | 20 |
Three Documentaries of the | 32 |
City Lights 1931 Modern Times 1936 | 49 |
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Hollywood as Historian: American Film in a Cultural Context Peter C. Rollins Ограниченный просмотр - 1983 |
Hollywood As Historian: American Film in a Cultural Context Peter C. Rollins Ограниченный просмотр - 2021 |
Hollywood As Historian: American Film in a Cultural Context Peter C. Rollins Ограниченный просмотр - 2014 |
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aesthetic American Film Anatole Litvak Army Art/Film Stills Archive artistic audience Baker camera Chaplin Cinema City Lights Code comedy Communist Coppola critical cultural director documentary dramatic Elia Kazan Father Barry film's filmmakers Ford Ford's Fox Film Fox-Case Freudian Grapes of Wrath historians Hollywood human images interest interview Joads John Ford Journal Kazan Kubrick Kurtz Land Lee De Forest Legion Leo Hurwitz liberal literary Maland March Modern Art/Film Stills moral Moss Motion Picture movie MPAA Museum of Modern National NCOMP Negro Soldier newsreel novel nuclear Pare Lorentz played political popular President Press problems production racial Review role scene Schulberg screen script shots Snake Pit social sound sound-on-film spoken word story Strangelove suggested Theatre theme tion tramp Univ University Variety Vietnam viewer Virginia Woolf visual Warner Bros Warner Brothers Washington Waterfront Willard William Fox Woodrow Wilson Zanuck