Femininity and Masculinity in Eighteenth-century Art and CultureManchester University Press, 1994 - Всего страниц: 262 Focusing on the visual arts and written texts, this book explores the nature of femininity and masculinity in 18th-century Britain and France. The activities and collective conditions of women as producers of art and culture are investigated, together with analysis of representation and the ways in which it might be gendered. This illustrated book should make an important contribution to debates on representation, constructions of sexuality and women as producers. |
Содержание
likeness the Grand Style and the conventions of feminine | 3 |
Gavin Hamiltons radical alternative DUNCAN MACMILLAN | 51 |
a monument to Lady Mary Wortley Montagu | 99 |
Wollstonecraft and Burke on taste | 123 |
morals and human nature SUSAN KHIN | 159 |
artists mothers and makers of art | 184 |
bonds between men in the art and life of JacquesLouis David | 204 |
the Terror in the republican imaginary | 219 |
244 | |
Другие издания - Просмотреть все
Femininity and Masculinity in Eighteenth-century Art and Culture Gillian Perry Просмотр фрагмента - 1994 |
Часто встречающиеся слова и выражения
aesthetic Agrippina Alexander Runciman allegory Angelica Kauffman antique Apollo Apollo Belvedere argued art criticism associated beauty bourgeois Brutus Burke Burke's Callipygian Venus Catherine Macaulay cited commentary commissioned contemporary conventions culture Death of Lucretia delicacy Diderot discourse disguise drawing Drouais effeminacy eighteenth century Encyclopédie engraving essay example feeling female feminine portraiture figure France French French Revolution gender grace Halsband Hamilton Hercules history painting House human Ibid Jacobin Jacques-Louis David Joshua Reynolds Labille-Guiard Letters London masculine moral Nathaniel Dance nature nude Oeuvres complètes oil on canvas painter Paris passions Philosophical Enquiry picture pleasure political portrait reason representation republican Revolution revolutionary Reynolds Reynolds's Robert Adam role Roman Rome Roworth Royal Academy Salon sans-culottes Sappho seen sensibility sensual sentiment sexual social society status style sublime suggested symbolic taste tion Trudaine University Press Venus Vigée-Lebrun virtue Wentworth Castle Winckelmann Wollstonecraft woman women artists writing
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Narrating Women's History in Britain, 1770-1902 Miriam Elizabeth Burstein Недоступно для просмотра - 2004 |