Ben JonsonD. Appleton and Company, 1898 - Всего страниц: 202 |
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Стр. 28
... Magnetic Lady ' we read : The author beginning his studies of this kind with " Every Man in his Humour ; " and after , " Every Man out of his Humour ; " and since , continuing in all his plays , especially those of the comic thread ...
... Magnetic Lady ' we read : The author beginning his studies of this kind with " Every Man in his Humour ; " and after , " Every Man out of his Humour ; " and since , continuing in all his plays , especially those of the comic thread ...
Стр. 65
... Magnetic Lady . ' But after arriving at self - consciousness , and creating his own art in this epoch - making play , Jonson swerved aside and aban- doned the comic drama , properly so called , for what he termed comical satire , in ...
... Magnetic Lady . ' But after arriving at self - consciousness , and creating his own art in this epoch - making play , Jonson swerved aside and aban- doned the comic drama , properly so called , for what he termed comical satire , in ...
Стр. 67
... Magnetic Lady ' ( 1632 ) , which closes the cycle of humours , and " A Tale of a Tub ' ( 1633 ) , which feebly echoes the Rabelaisian laughter of Bartholomew Fair ' : all of these five latest products of Jonson's pen deserve the hard ...
... Magnetic Lady ' ( 1632 ) , which closes the cycle of humours , and " A Tale of a Tub ' ( 1633 ) , which feebly echoes the Rabelaisian laughter of Bartholomew Fair ' : all of these five latest products of Jonson's pen deserve the hard ...
Стр. 68
... Magnetic Lady . ' It is true that these plays differ much in their construction ; two following the model of Aristophanic allegory , one moulding itself upon the type of Latin comedy , and one borrowing suggestions from the masque . Yet ...
... Magnetic Lady . ' It is true that these plays differ much in their construction ; two following the model of Aristophanic allegory , one moulding itself upon the type of Latin comedy , and one borrowing suggestions from the masque . Yet ...
Стр. 88
... Magnetic Lady , ' we know that Jonson attached much value to Aristotle's rules for the formation of a comedy ; and Dryden has devoted some pages of his essay to an analysis of these rules , which are admirably illustrated by The Silent ...
... Magnetic Lady , ' we know that Jonson attached much value to Aristotle's rules for the formation of a comedy ; and Dryden has devoted some pages of his essay to an analysis of these rules , which are admirably illustrated by The Silent ...
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actors aforesaid Alchemist Ananias appears Bartholomew Fair Ben Jonson BENJAMIN JONSON Bonario Cæsar called Catiline Celia character comedies of humour comedy Corb Corbaccio Corvino Court criticism Cynthia's Revels Dauphine Dekker Devil doth drama Drummond Dryden dupes English entertainments Epicoene Face fancy favour Fletcher genius Gifford hath honour Horace humour Inigo Jones Jonson King's King's Men Lady Frampul Lætitia learned literary live London Lord Lovel lyric Magnetic Lady Mammon manner Marston Masque of Queens masques master Morose Mosca muse noble passion pastoral person personages Philostratus piece play playwright plot poems poet poet's Poetaster poetry possess Prince prose Purecraft Puritans Revels romantic Sad Shepherd scene Sejanus Shakespeare Silent Woman Spanish Tragedy spirit stage stanzas style Subtle sweet taste tavern theatres thee thou thought tion tragedy verses Volpone Volpone's Voltore vulgar words
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Стр. 152 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Стр. 152 - Ah BEN! Say how, or when Shall we thy guests Meet at those lyric feasts, Made at the Sun, The Dog, the Triple Tun ? Where we such clusters had, As made us nobly wild, not mad ; And yet each verse of thine Outdid the meat, outdid the frolic wine.
Стр. 138 - Weep with me, all you that read This little story; And know, for whom a tear you shed Death's self is sorry. 'Twas a child that so did thrive In grace and feature, As heaven and nature seemed to strive Which owned the creature.
Стр. 151 - What things have we seen Done at the Mermaid! Heard words that have been So nimble and so full of subtle flame As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
Стр. 136 - Slow, slow, fresh fount, keep time with my salt tears; Yet slower, yet, O faintly gentle springs: List to the heavy part the music bears, Woe weeps out her division, when she sings. Droop herbs and flowers; Fall grief in showers, Our beauties are not ours; O, I could still, Like, melting snow upon some craggy hill, Drop, drop, drop, drop, Since nature's pride is, now, a withered daffodil.
Стр. 141 - Or the nard in the fire ? Or have tasted the bag of the bee ? O so white, O so soft, O so sweet is she!
Стр. 162 - He is a great lover and praiser of himself; a contemner and scorner of others; given rather to lose a friend than a jest; jealous of every word and action of those about him (especially after drink, which is one of the elements in which he liveth...
Стр. 25 - I loved the man and do honour his memory on this side idolatry as much as any. He was, indeed, honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions : wherein he flowed with that facility, that sometimes it was necessary he should be stopped: Sufflaminandus erat, as Augustus said of Haterius.
Стр. 151 - Master Jonson (like the former) was built far higher in learning ; solid, but slow in his performances. Shakespeare with the English man-ofwar, lesser in bulk, but lighter in sailing, could turn with all tides, tack about and take advantage of all winds, by the quickness of his wit and invention.
Стр. 45 - I would inform you, that this book, in all numbers, is not the same with that which was acted on the public stage; wherein a second pen •' had good share: in place of which, I have rather chosen to put weaker, and, no doubt, less pleasing, of mine own, than to defraud so happy a genius of his right by my loathed usurpation.