Ben JonsonD. Appleton and Company, 1898 - Всего страниц: 202 |
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Стр. 9
... subtle problems as to the true theory of dramatic art . A further step in the evolution of our national theatre from the shapeless material of the Miracle Plays may be observed in those Moralities , or Moral Plays , which , as their ...
... subtle problems as to the true theory of dramatic art . A further step in the evolution of our national theatre from the shapeless material of the Miracle Plays may be observed in those Moralities , or Moral Plays , which , as their ...
Стр. 60
... Subtle delivers exact lectures upon alchemy . The ' Masque of Queens ' supplies an encyclopædia of witchcraft . The foresters of masque and pastoral ex- pound venery . In one laborious scene he teaches the science of cosmetics ; in ...
... Subtle delivers exact lectures upon alchemy . The ' Masque of Queens ' supplies an encyclopædia of witchcraft . The foresters of masque and pastoral ex- pound venery . In one laborious scene he teaches the science of cosmetics ; in ...
Стр. 70
... subtle voluptuary to study various and well - developed forms of covetousness in his friends and neighbours . His palace has become the haunt of his captatores , legacy - hunters , each one of 70 BEN JONSON THE MASTERPIECES 50 30.
... subtle voluptuary to study various and well - developed forms of covetousness in his friends and neighbours . His palace has become the haunt of his captatores , legacy - hunters , each one of 70 BEN JONSON THE MASTERPIECES 50 30.
Стр. 71
... subtle schemes for making life a comedy , and proving all the men around him knaves and fools . He is avari- cious but not blinded by the love of gold . Wealth he values chiefly as the means for tempting and corrupting others , after he ...
... subtle schemes for making life a comedy , and proving all the men around him knaves and fools . He is avari- cious but not blinded by the love of gold . Wealth he values chiefly as the means for tempting and corrupting others , after he ...
Стр. 87
... subtly woven ; the art is even more ' intense and burning . ' But the subject - matter is no longer wickedness beyond the comic poet's lawful scope . We frolic in a sphere of foibles and mirth - moving eccen- tricities of humour . 16 ...
... subtly woven ; the art is even more ' intense and burning . ' But the subject - matter is no longer wickedness beyond the comic poet's lawful scope . We frolic in a sphere of foibles and mirth - moving eccen- tricities of humour . 16 ...
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actors aforesaid Alchemist Ananias appears Bartholomew Fair Ben Jonson BENJAMIN JONSON Bonario Cæsar called Catiline Celia character comedies of humour comedy Corb Corbaccio Corvino Court criticism Cynthia's Revels Dauphine Dekker Devil doth drama Drummond Dryden dupes English entertainments Epicoene Face fancy favour Fletcher genius Gifford hath honour Horace humour Inigo Jones Jonson King's King's Men Lady Frampul Lætitia learned literary live London Lord Lovel lyric Magnetic Lady Mammon manner Marston Masque of Queens masques master Morose Mosca muse noble passion pastoral person personages Philostratus piece play playwright plot poems poet poet's Poetaster poetry possess Prince prose Purecraft Puritans Revels romantic Sad Shepherd scene Sejanus Shakespeare Silent Woman Spanish Tragedy spirit stage stanzas style Subtle sweet taste tavern theatres thee thou thought tion tragedy verses Volpone Volpone's Voltore vulgar words
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Стр. 152 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Стр. 152 - Ah BEN! Say how, or when Shall we thy guests Meet at those lyric feasts, Made at the Sun, The Dog, the Triple Tun ? Where we such clusters had, As made us nobly wild, not mad ; And yet each verse of thine Outdid the meat, outdid the frolic wine.
Стр. 138 - Weep with me, all you that read This little story; And know, for whom a tear you shed Death's self is sorry. 'Twas a child that so did thrive In grace and feature, As heaven and nature seemed to strive Which owned the creature.
Стр. 151 - What things have we seen Done at the Mermaid! Heard words that have been So nimble and so full of subtle flame As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
Стр. 136 - Slow, slow, fresh fount, keep time with my salt tears; Yet slower, yet, O faintly gentle springs: List to the heavy part the music bears, Woe weeps out her division, when she sings. Droop herbs and flowers; Fall grief in showers, Our beauties are not ours; O, I could still, Like, melting snow upon some craggy hill, Drop, drop, drop, drop, Since nature's pride is, now, a withered daffodil.
Стр. 141 - Or the nard in the fire ? Or have tasted the bag of the bee ? O so white, O so soft, O so sweet is she!
Стр. 162 - He is a great lover and praiser of himself; a contemner and scorner of others; given rather to lose a friend than a jest; jealous of every word and action of those about him (especially after drink, which is one of the elements in which he liveth...
Стр. 25 - I loved the man and do honour his memory on this side idolatry as much as any. He was, indeed, honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions : wherein he flowed with that facility, that sometimes it was necessary he should be stopped: Sufflaminandus erat, as Augustus said of Haterius.
Стр. 151 - Master Jonson (like the former) was built far higher in learning ; solid, but slow in his performances. Shakespeare with the English man-ofwar, lesser in bulk, but lighter in sailing, could turn with all tides, tack about and take advantage of all winds, by the quickness of his wit and invention.
Стр. 45 - I would inform you, that this book, in all numbers, is not the same with that which was acted on the public stage; wherein a second pen •' had good share: in place of which, I have rather chosen to put weaker, and, no doubt, less pleasing, of mine own, than to defraud so happy a genius of his right by my loathed usurpation.