Ignorance of another's meaning is a sufficient cause of fear, and fear produces hatred: hence the suspicion and rancor entertained against all those who set up for greater refinement and wisdom than their neighbors. It is in vain to think of softening down this spirit of hostility by simplicity of manners, or by condescending to persons of low estate. The more you condescend, the more they will presume upon it; they will fear you less, but hate you more; and will be the more determined to take their revenge on you for a superiority as to which they are entirely in the dark, and of which you yourself seem to entertain considerable doubts. All the humility in the world will only pass for weakness and folly. They have no notion of such a thing. They always put their best foot forward; and argue that you would do the same if you had any such wonderful talents as people say. You had better, therefore, play off the great man at once— hector, swagger, talk big, and ride the high horse over them: you may by this means extort outward respect or common civility; but you will get nothing (with low people) by forbearance and good-nature but open insult or silent contempt. C― always talks to people about what they don't understand: I, for one, endeavor to talk to them about what they do understand, and find I only get the more ill-will by it. They conceive I do not think them capable of anything better; that I do not think it worth while, as the vulgar saying is, to throw a word to a dog. I once complained of this to C, thinking it hard I should be sent to Coventry for not making a prodigious display. He said, "As you assume a certain character, you ought to produce your credentials. It is a tax upon people's good-nature to admit superiority of any kind, even where there is the most evident proof of it but it is too hard a task for the imagination to admit it without any apparent ground at all.”

There is not a greater error than to suppose that you avoid the envy, malice, and uncharitableness, so common in the world, by going among people without pretensions. There are no people who have no pretensions; or the fewer their pretensions, the less they can afford to acknowledge yours without some sort of value received. The more information individuals possess, or the more they have refined upon any subject, the more readily can they

conceive and admit the same kind of superiority to themselves that they feel over others. But from the low, dull, level sink of ignorance and vulgarity, no idea or love of excellence can arise. You think you are doing mighty well with them; that you are laying aside the buckram of pedantry and pretence, and getting the character of a plain, unassuming, good sort of fellow. It will not do. All the while that you are making these familiar advances, and wanting to be at your ease, they are trying to recover the wind of you. You may forget that you are an author, an artist, or what not-they do not forget that they are nothing, nor bate one jot of their desire to prove you in the same predicament. They take hold of some circumstance in your dress; your manner of entering a room is different from that of other people; you do not eat vegetables—that 's odd; you have a particular phrase, which they repeat, and this becomes a sort of standing joke; you look grave, or ill; you talk, or are more silent than usual: you are in or out of pocket: all these petty, inconsiderable circumstances, in which you resemble, or are unlike other people, form so many counts in the indictment which is going on in their imaginations against you, and are so many contradictions in your character. In any one else they would pass unnoticed, but in a person of whom they had heard so much, they cannot make them out at all. Meanwhile, those things in which you may really excel, go for nothing, because they cannot judge of them. They speak highly of some book which you do not like, and therefore you make no answer. You recommend them to go and see some picture, in which they do not find much to admire. How are you to convince them that you are right? Can you make them perceive that the fault is in them, and not in the picture, unless you could give them your knowledge? They hardly distinguish between a Correggio and a common daub. Does this bring you any nearer to an understanding? The more you know of the difference, the more deeply you feel it; or the more earnestly you wish to convey it, the farther do you find yourself removed to an immeasurable distance from the possibility of making them enter into views and feelings of which they have not even the first rudiments. You cannot make them see with your eyes, and must judge for themselves.

Intellectual is not like bodily strength. You have no hold of the understanding of others but by their sympathy. Your know. ing, in fact, so much more about a subject does not give you a superiority, that is, a power over them, but only renders it the more impossible for you to make the least impression on them. Is it then an advantage to you? It may be, as it relates to your own private satisfaction, but it places a greater gulf between you and society. It throws stumbling-blocks in your way at every turn. All that you take most pride and pleasure in is lost upon the vulgar eye. What they are pleased with is a matter of indifference or of distaste to you. In seeing a number of persons turn over a portfolio of prints from different masters, what a trial it is to the patience, how it jars the nerves to hear them fall into raptures at some common-place flimsy thing, and pass over some divine expression of countenance without notice, or with a remark that it is very singular-looking? How useless it is in such cases to fret or argue, or remonstrate? Is it not quite as well to be without all this hypercritical, fastidious knowledge, and to be pleased or displeased as it happens, or struck with the first fault or beauty that is pointed out by others? I would be glad almost to change my acquaintance with pictures, with books, and, certainly, what I know of mankind, for anybody's ignorance of them!

It is recorded in the life of some worthy (whose name I forget) that he was one of those "who loved hospitality and respect:" and I profess to belong to the same classification of mankind. Civility is with me a jewel. I like a little comfortable cheer, and careless, indolent, chat. I hate to be always wise, or aiming at wisdom. I have enough to do with literary cabals, questions, critics, actors, essay-writing, without taking them out with me for recreation, and into all companies. I wish at these times to pass for a good-humored fellow; and good-will is all I ask in return to make good company. I do not desire to be always posing myself or others with the questions of fate, free-will, fore-knowledge absolute, &c. I must unbend sometimes. I must occasionally lie fallow. The kind of conversation that I affect most is what sort of a day it is, and whether it is likely to rain or hold up fine for to-morrow. This I consider as enjoying the otium cum digni

tate, as the end and privilege of a life of study. I would resign myself to this state of easy indifference, but I find I cannot. I must maintain a certain pretension, which is far enough from my wish. I must be put on my defence, I must take up the gauntlet continually, or I find I lose ground. "I am nothing, if not critical." While I am thinking what o'clock it is, or how I came to blunder in quoting a well-known passage, as if I had done it on purpose, others are thinking whether I am not really as dull a fellow as I am sometimes said to be. If a drizzling shower patters against the windows, it puts me in mind of a mild spring rain, from which I retired twenty years ago, into a little public house near Wem in Shropshire, and while I saw the plants and shrubs before the door imbibe the dewy moisture, quaffed a glass of sparkling ale, and walked home in the dusk of evening, brighter to me than noon-day suns at present are! Would I indulge this feeling? In vain. They ask me what news there is, and stare if I say I don't know. If a new actress has come out, why must I have seen her? If a new novel has appeared, why must I have read it? I, at one time, used to go and take a hand at cribbage with a friend, and afterwards discuss a cold sirloin of beef, and throw out a few lack-a-daisical remarks, in a way to please himself, but it would not do long. I set up little pretension, and therefore the little that I did set up was taken from me. As I said nothing on that subject myself, it was continually thrown in my teeth that I was an author. From having me at this disadvantage, my friend wanted to peg on a hole or two in the game, and was displeased if I would not let him. If I won of him, it was hard he should be beat by an author. If he won, it would be strange if he did not understand the game better than I did. If I mentioned my favorite game of rackets, there was a general silence, as if this was my weak point. If I complained of being ill, it was asked why I made myself so? If I said such an actor had played a part well, the answer was, there was a different account in one of the newspapers. If any allusion was made to men of letters, there was a suppressed smile. If I told a humorous story, it was difficult to say whether the laugh was at me or at the narrative. The wife hated me for my ugly face: the servants because I could not always get them tickets for the play, and

If a

because they could not tell exactly what an author meant. paragraph appeared against anything I had written, I found it was ready there before me, and I was to undergo a regular roasting. I submitted to all this till I was tired, and then I gave it up.

One of the miseries of intellectual pretensions is, that ninetenths of those you come in contact with do not know whether you are an imposter or not. I dread that certain anonymous criticisms should get into the hands of servants where I go, or that my hatter or shoemaker should happen to read them, who cannot possibly tell whether they are well or ill-founded. The ignorance of the world leaves one at the mercy of its malice. There are people whose good opinion or good will you want, setting aside all literary pretensions; and it is hard to lose by an ill report (which you have no means of rectifying) what you cannot gain by a good one. After a diatribe in the (which is taken

in by a gentleman who occupies my old apartments on the first floor) my landlord brings me up his bill (of some standing), and on my offering to give him so much in money, and a note of hand for the rest, shakes his head, and says, he is afraid he could make no use of it. Soon after, the daughter comes in, and, on my mentioning the circumstance carelessly to her, replies gravely, "that indeed her father has been almost ruined by bills." This is the unkindest cut of all. It is in vain for me to endeavor to explain that the publication in which I am abused is a mere government engine-an organ of a political faction. They know nothing about that. They only know such and such imputations are thrown out; and the more I try to remove them, the more they think there is some truth in them. Perhaps the people of the house are strong Tories-government agents of some sort. Is it for me to enlighten their ignorance? If I say, I once wrote a thing called Prince Maurice's Parrot, and an Essay on the Regal Character, in the former of which allusion is made to a noble marquis, and in the latter to a great personage (so at least, I am told, it has been construed), and that Mr. Croker has peremptory instructions to retaliate; they cannot conceive what connexion there can be between me and such distinguished characters. I can get no farther. Such is the misery of preten