Style and Proportion: The Language of Prose and Poetry |
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Стр. 51
Most of Connolly's Mandarins are what we call phrasal or adjectival , but not Donne , Addison , Johnson . And certainly the opposite sort is Bunyan , Dryden , Hazlitt , with Locke somewhat less . Connolly's skein is more complex than ...
Most of Connolly's Mandarins are what we call phrasal or adjectival , but not Donne , Addison , Johnson . And certainly the opposite sort is Bunyan , Dryden , Hazlitt , with Locke somewhat less . Connolly's skein is more complex than ...
Стр. 96
But , as we have already noted , strongly connective styles are twice as apt to be adjectival or balanced as to be predicative . Almost all highly adjectival styles are also highly phrasal ; the balanced , as it balances adjectives and ...
But , as we have already noted , strongly connective styles are twice as apt to be adjectival or balanced as to be predicative . Almost all highly adjectival styles are also highly phrasal ; the balanced , as it balances adjectives and ...
Стр. 103
And so we hear in Kubla Khan , adjectival in the bright eighteenth - century tradition , the flexible lengthening of the line , by which , in terms of the first two lines , the third does not provide a “ blank ” for sinuous , nor the ...
And so we hear in Kubla Khan , adjectival in the bright eighteenth - century tradition , the flexible lengthening of the line , by which , in terms of the first two lines , the third does not provide a “ blank ” for sinuous , nor the ...
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Language and Proportion | 1 |
Styles in British Prose | 22 |
Styles in American Prose | 62 |
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adjectival adjectives American Author balanced beauty begin bright Browne Cambridge century Chicago choice classical common connectives contrast Criticism death early effect English Essays example fall feel follow give hand hear heart History human John Johnson kind language later learned less light lines Linguistic Literary Literature live logic London look major mean measure metaphor Milton mind move nature negative night nouns Oxford pattern Philosophy phrase Poems poetic poetry poets positive possible predicative present proportion prose qualities reason reference relation relative rhetoric sense sentence simple soul sound speak stand stanzas statement stress strong structure Studies style subordinate sweet Theory thing Thomas thought tion tradition true truth turn University Press verbs verse whole words writers York