Style and Proportion: The Language of Prose and PoetryLittle, Brown, 1967 - Всего страниц: 212 |
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Стр. 9
... contrast to a plain naturalness . Demetrius cut across this contrast with another · one between styles energetic on the one hand and polished on the other : between short and harsh phrases , broken , loose , and spontaneous , as if ...
... contrast to a plain naturalness . Demetrius cut across this contrast with another · one between styles energetic on the one hand and polished on the other : between short and harsh phrases , broken , loose , and spontaneous , as if ...
Стр. 42
... contrast in the parallel between the elabo- rate style and the Ciceronian , the contrasts are not so simple . Cicero himself thought of himself as plain , clear , perspicacious , Attic , in contrast to the elaborate Asian style of ...
... contrast in the parallel between the elabo- rate style and the Ciceronian , the contrasts are not so simple . Cicero himself thought of himself as plain , clear , perspicacious , Attic , in contrast to the elaborate Asian style of ...
Стр. 135
... contrast . For human beings , metaphorically , the same distinctions need to be made . A good model for productive tensions can be a marriage , with its contrasts of two individuals and so of traits and function masculine and feminine ...
... contrast . For human beings , metaphorically , the same distinctions need to be made . A good model for productive tensions can be a marriage , with its contrasts of two individuals and so of traits and function masculine and feminine ...
Содержание
Styles in British Prose | 22 |
Styles in American Prose | 62 |
Styles in Prose and Poetry | 79 |
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