Style and Proportion: The Language of Prose and Poetry |
Результаты поиска по книге
Результаты 1 – 3 из 71
Стр. 80
From poetry to prose in connective sparseness and adjectival richness ; from later prose substance to poetic . ... The chief notable change is what the very recent poets , perhaps under the guidance of Emerson and Dickinson , do to ...
From poetry to prose in connective sparseness and adjectival richness ; from later prose substance to poetic . ... The chief notable change is what the very recent poets , perhaps under the guidance of Emerson and Dickinson , do to ...
Стр. 94
And one may note the characteristic difference between Milton's ere , still with a poetic aura , and Clarendon's ... Then we may note the prepositions dominant for almost all poets : at , by , from , in , of , on , to , with ; of these ...
And one may note the characteristic difference between Milton's ere , still with a poetic aura , and Clarendon's ... Then we may note the prepositions dominant for almost all poets : at , by , from , in , of , on , to , with ; of these ...
Стр. 99
A factor analysis of seventeenth - century poets and major words , showing statistically the degree to which each poet ... The strand running throughout and conditioning the whole century is the group of verbs used by the group of poets ...
A factor analysis of seventeenth - century poets and major words , showing statistically the degree to which each poet ... The strand running throughout and conditioning the whole century is the group of verbs used by the group of poets ...
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Содержание
Styles in British Prose | 22 |
Styles in American Prose | 62 |
Styles in Prose and Poetry | 79 |
Авторские права | |
Не показаны другие разделы: 2
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
adjectives Aesthetics American Author balanced begin Browne Cambridge century Chicago choice classical common connectives contrast Criticism death early effect English Essays example fall feel follow George give hand hear heart heaven History human John Johnson kind language later learned less light lines Linguistics Literary Literature logic London look major Mass mean measure metaphor Michigan Milton mind move nature negative night nouns Oxford pattern Paul Philosophy phrases Poems poetic poetry poets positive possible predicative present proportion prose qualities reason reference relation relative Rhetoric Science sense sentence simple sound speak stand stanzas statement stress strong structure Studies style subordinate sweet Theory thing Thomas thought tion tradition true University of California University Press verbs verse whole writers York