Style and Proportion: The Language of Prose and Poetry |
Результаты поиска по книге
Результаты 1 – 3 из 54
Стр. 19
On the other hand , some less familiar lines of relation come into view . The likeness of Lyly's and Sidney's so - called euphuistic and “ curt ” juxtapositions to Dryden's , Johnson's , and the moderns ' ; the clear difference between ...
On the other hand , some less familiar lines of relation come into view . The likeness of Lyly's and Sidney's so - called euphuistic and “ curt ” juxtapositions to Dryden's , Johnson's , and the moderns ' ; the clear difference between ...
Стр. 76
The poet , by saying , makes new relations , heals dislocations and detachments , shows defects as exuberance , as in Vulcan's lameness , Cupid's blindness . “ Every new relation is a new word . ” The world is thus " put under the mind ...
The poet , by saying , makes new relations , heals dislocations and detachments , shows defects as exuberance , as in Vulcan's lameness , Cupid's blindness . “ Every new relation is a new word . ” The world is thus " put under the mind ...
Стр. 103
When we look at these poetic passages , we may see the relation between observation of single contexts and generalization of whole tendencies . The relation is based upon the fact that writers do , consciously or unconsciously ...
When we look at these poetic passages , we may see the relation between observation of single contexts and generalization of whole tendencies . The relation is based upon the fact that writers do , consciously or unconsciously ...
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Содержание
Language and Proportion | 1 |
Styles in British Prose | 22 |
Styles in American Prose | 62 |
Авторские права | |
Не показаны другие разделы: 4
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
adjectival adjectives American Author balanced beauty begin bright Browne Cambridge century Chicago choice classical common connectives contrast Criticism death early effect English Essays example fall feel follow give hand hear heart History human John Johnson kind language later learned less light lines Linguistic Literary Literature live logic London look major mean measure metaphor Milton mind move nature negative night nouns Oxford pattern Philosophy phrase Poems poetic poetry poets positive possible predicative present proportion prose qualities reason reference relation relative rhetoric sense sentence simple soul sound speak stand stanzas statement stress strong structure Studies style subordinate sweet Theory thing Thomas thought tion tradition true truth turn University Press verbs verse whole words writers York