Style and Proportion: The Language of Prose and PoetryLittle, Brown, 1967 - Всего страниц: 212 |
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Стр. 111
... sound , assonance , rhyme , and refrain may then support as aids to formal identity and memorability . Even without verse structure , the other traits may function in varying degrees of control , so that in prose progressions the ...
... sound , assonance , rhyme , and refrain may then support as aids to formal identity and memorability . Even without verse structure , the other traits may function in varying degrees of control , so that in prose progressions the ...
Стр. 112
... SOUND AND SENSE - We noted at the outset the traditional gamut of complexity from sound , to sense , to structure , or from phonology and vocabulary to grammar , logic , and rhetoric ; it therefore seems important now , having ...
... SOUND AND SENSE - We noted at the outset the traditional gamut of complexity from sound , to sense , to structure , or from phonology and vocabulary to grammar , logic , and rhetoric ; it therefore seems important now , having ...
Стр. 119
... sound and the sense . ― Such a merging is less possible for prose because its sound stresses are never so separated . The use of patterns like the Latin cursus certain expectable units of stress setting up tensions between rising and ...
... sound and the sense . ― Such a merging is less possible for prose because its sound stresses are never so separated . The use of patterns like the Latin cursus certain expectable units of stress setting up tensions between rising and ...
Содержание
Styles in British Prose | 22 |
Styles in American Prose | 62 |
Styles in Prose and Poetry | 79 |
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