Style and Proportion: The Language of Prose and Poetry |
Результаты поиска по книге
Результаты 1 – 3 из 68
Стр. 18
As a whole we may say that about half the writers favor the early clausal qualification ; a fifth , the nineteenthcentury phrasal qualification ; and the rest , between and at present , some variety of balance , now tending toward the ...
As a whole we may say that about half the writers favor the early clausal qualification ; a fifth , the nineteenthcentury phrasal qualification ; and the rest , between and at present , some variety of balance , now tending toward the ...
Стр. 60
80 Eleven of our fifty writers or about a fifth of them , and half the number of classic writers , follow this mode . Ascham in the sixteenth century , Browne in the seventeenth , Adam Smith and Gibbon in the eighteenth , a large group ...
80 Eleven of our fifty writers or about a fifth of them , and half the number of classic writers , follow this mode . Ascham in the sixteenth century , Browne in the seventeenth , Adam Smith and Gibbon in the eighteenth , a large group ...
Стр. 95
prose writers , from the Bible and Bacon to Locke , Adam Smith , and Macaulay , are as connective as the three or four strongest connective poets . Least connective among prose writers are Lyly early , Lawrence and Orwell late .
prose writers , from the Bible and Bacon to Locke , Adam Smith , and Macaulay , are as connective as the three or four strongest connective poets . Least connective among prose writers are Lyly early , Lawrence and Orwell late .
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Содержание
Language and Proportion | 1 |
Styles in British Prose | 22 |
Styles in American Prose | 62 |
Авторские права | |
Не показаны другие разделы: 4
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
adjectival adjectives American Author balanced beauty begin bright Browne Cambridge century Chicago choice classical common connectives contrast Criticism death early effect English Essays example fall feel follow give hand hear heart History human John Johnson kind language later learned less light lines Linguistic Literary Literature live logic London look major mean measure metaphor Milton mind move nature negative night nouns Oxford pattern Philosophy phrase Poems poetic poetry poets positive possible predicative present proportion prose qualities reason reference relation relative rhetoric sense sentence simple soul sound speak stand stanzas statement stress strong structure Studies style subordinate sweet Theory thing Thomas thought tion tradition true truth turn University Press verbs verse whole words writers York