 | John Dryden - 1800 - Страниц: 712
...the Chorus is supposed to be always present. — But to proceed : I must say this to the advantage of painting, even above tragedy, that what this last...contained in a picture are to be discerned at once, in the twinkv ling of an eye ; at least they would be so, if the sight could travel over so many different... | |
 | sir Joshua Reynolds - 1801 - Страниц: 392
...when the chorus is supposed to be always present. But to proceed : I must say this to the advantage of Painting, even above Tragedy, that what this last...represents in the space of many hours, the former shows us in one moment. The action, the passion, and the manners of so many persons as are contained... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - Страниц: 388
...when the chorus is supposed to be always present. But to proceed: I must say this to the advantage of Painting, even above Tragedy, that what this last represents in the space of many hours, the fVr<$rJfr shows us in one moment. The action, the passion, and the manners of so many persons as are... | |
 | John Dryden - 1808 - Страниц: 518
...when the chorus is supposed to be always present. — But to proceed; I must say this to the advantage of painting, even above tragedy, that what this last...in one moment. * The action, the passion, and the man* There is a fallacy in this, which a moment's consideration may delect. Painting does not present... | |
 | John Dryden, Walter Scott - 1808 - Страниц: 518
...when the chorus is supposed to be always present. — But to proceed; I must say this to the advantage of painting, even above tragedy, that what this last...in one moment. * The action, the passion, and the man• There is a fallacy in this, which a moment's consideration limy <leii-ct. Painting does not... | |
 | John Dryden, Walter Scott - 1808 - Страниц: 516
...when the chorus is supposed to be always present. — But to proceed; I must say this to the advantage of painting, even above tragedy, that what this last...in one moment. * The action, the passion, and the man* There is a fallacy in this, which a moment's consideration may detect. Painting does not present... | |
 | John Dryden, Walter Scott - 1808 - Страниц: 520
...when the chorus is supposed to be always present. — But to proceed; I must say this to the advantage of painting, even above tragedy, that what this last...in one moment. * The action, the passion, and the man* There is a fallacy in this, which a moment's consideration may detect. Painting does not present... | |
 | Sir Joshua Reynolds - 1809 - Страниц: 368
...when the chorus is supposed to be always present. But to proceed : I must say this tc the advantage of Painting, even above Tragedy, that what this last...represents in the space of many hours, the former shows us in one moment. The action, the passion, and the manners of so many persons as are contained... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - Страниц: 438
...when the chorus is supposed to be always present. But to proceed : I must say this to the advantage of Painting, even above Tragedy, that what this last represents in the space of tnany hours, the former shows us in one moment. The action, the passion, and the manners of so many... | |
 | William Mason - 1811 - Страниц: 436
...when the Chorus is supposed to be always present. But to proceed : I must say this to the advantage of Painting, even above Tragedy, that what this last...represents in the space of many hours, the former shows us in one moment. The action, the passion, and the manners of so many persons as are contained... | |
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I must say this to the advantage of painting, even above tragedy, that what this last represents in the space of many hours, the former shows us in one moment. The action, the passion, and the manners of so many persons as are contained in a picture are... 
