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PROFESSIONALISM

AND ORIGINALITY

BY THE SAME AUTHOR

Published by GEORGE ALLEN & UNWIN LTD.: THE SECRET OF HERBART. 2/- net. (Popular Edition exhausted.)

"Bright, clear, forcible . . . daring, witty."

School Review, Chicago.

THE STUDENT'S HERBART. 1/6 net. "This delightful account of Herbartianism."

Secondary Education. "Written in splendid style [which] must captivate and enthral the reader."-The Schoolmaster.

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THE REFORM OF MORAL AND
BIBLICAL EDUCATION. 4/6 net.

"An extremely clever, even brilliant book."—Education.
"Interesting from cover to cover-as we should have
expected."-The School World.

THE CRITICS OF HERBARTIANISM. 4/6 net.

"Condenses vividly and piquantly a very wide range of educational facts, thought, and criticism." The Educational Times. "Dr. Hayward is to be reckoned among the men of the vanguard."-The Reformer.

Published by RALPH HOLLAND & CO.:

ION

EDUCATIONAL ADMINISTRATION
AND CRITICISM. 7/6 net.

"A gold-mine of ideas."-The Commonwealth.

THE PRIMARY CURRICULUM. 4/- net.

&c., &c.

ORIGINALITY

WITH AN APPENDIX OF SUGGESTIONS
BEARING ON PROFESSIONAL, ADMINIS-
TRATIVE, AND EDUCATIONAL TOPICS

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F. H. HAYWARD, D.Lıt. B.Sc

Inspector of Schools (L.E.A.)

AUTHOR OF "EDUCATIONAL ADMINISTRATION AND CRITICISM," "THE SECRET
OF HERBART," "THE LESSON IN APPRECIATION," ETC.

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First published in 1917

(All rights reserved)

PREFACE

THE present work consists of discussions, fortified by quotations and summarized in propositions, bearing on the themes of Professionalism and Originality. A third theme-Revelation-has been omitted for the present1; the lines of its treatment appear in the closing chapter.

Constructive suggestions have been relegated to an Appendix. They vary greatly in value and immediate practicability; with those that concern education I feel most at home, and one phase of that subjectthe promotion of teachers-was, in fact, the startingpoint of my studies in Professionalism and Originality.

It remains to be seen whether the book is to be condemned as a product of mere scissors and paste or praised for its thirty or more inductions. Meanwhile I will point out some possible sources of misunderstanding.

First The division between professional and original men is drawn sharply. This sharpness is a necessity of exposition, and, as such, has crept into much modern literature 2; but, like most distinctions, it does not entirely correspond to the infinite variety of the facts. Professionalism and Originality, Death and Life, exist side by side in most of us; the question of im

* Jesus the Rationalist. (In Preparation.)

2

E.g. Ethel Sidgwick's Promise, Chekoff's Seagull, Ibsen's Enemy of the People and Hedda Gabler.

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