Acts of War: The Representation of Military Conflict on the British Stage and Television Since 1945Tony Howard, John Stokes Scolar Press, 1996 - Всего страниц: 203 For fifty years the theatre, followed by television drama, has explored the myths and the consequences of the states of war which have loomed in the background of British life. This survey shows how succeeding generations of British playwrights have recognised war as a determining presence in the political consciousness of the nation. In their treatment of military conflict dramatists invariably find themselves engaging with underlying issues of class, of gender and of political authority. |
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Стр. 135
... Bond's trilogy is not linear . Red Black and Ignorant , the prologue , dramatises one temporal instant : the audience's point of entry into the apocalypse is the moment when a missile lands and a baby is born and burned - Bond's very ...
... Bond's trilogy is not linear . Red Black and Ignorant , the prologue , dramatises one temporal instant : the audience's point of entry into the apocalypse is the moment when a missile lands and a baby is born and burned - Bond's very ...
Стр. 136
... Bond called it agit prop but it is really a Brechtian Lehrstück in that each scene offers the actors themselves - especially young non - professionals , with whom Bond worked increasingly after 1979 - the opportunity to discuss ethical ...
... Bond called it agit prop but it is really a Brechtian Lehrstück in that each scene offers the actors themselves - especially young non - professionals , with whom Bond worked increasingly after 1979 - the opportunity to discuss ethical ...
Стр. 139
... Bond's most massive and important works : as in Lear and The Woman we watch one individual's journey through the destruction - and just perhaps the rebirth - of a world , but this time that world is ours . Not only does Bond ...
... Bond's most massive and important works : as in Lear and The Woman we watch one individual's journey through the destruction - and just perhaps the rebirth - of a world , but this time that world is ours . Not only does Bond ...
Содержание
Ballet Beauty and the Representation of Battle | 27 |
Representations | 45 |
Rodney Acklands The Pink Room | 61 |
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Acts of War: The Representation of Military Conflict on the British Stage ... Tony Howard,John Stokes Просмотр фрагмента - 1996 |
Часто встречающиеся слова и выражения
Absolute Hell Ackland actor army atomic audience Barker's play battle Birmingham Royal Ballet Bite Bond Bond's Britain British characters comedy Common Chorus conflict confront cultural Curteis dance Dark River death documentary drama dramatised Dresden essay experience Falklands Falklands Play Falklands War film gender genre German given after quotations Green Table Greenham Harrison Helen hero Hiroshima human ideology Joan Littlewood John Jooss killed later lives London look Lovely Lovely War MacColl male memory metaphor Methuen military missiles Monocled Mutineer mother myth nuclear apocalypse nuclear bomb Peace Peace Play performed Peter Pink Room playwright political post-war present Priestley production Robert Rodney Ackland role Royal Court Royal Court Theatre Savage scene Second World sense Sink the Belgrano social soldier stage television Theatre Workshop theatrical Tony Tony Harrison trilogy Troy Tumbledown University of Warwick violence wartime West End Woman women Wood's writing
Ссылки на эту книгу
The Cambridge History of British Theatre, Том 3 Jane Milling,Peter Thomson,Baz Kershaw,Joseph Walter Donohue (Jr.) Недоступно для просмотра - 2004 |