Acts of War: The Representation of Military Conflict on the British Stage and Television Since 1945Tony Howard, John Stokes Scolar Press, 1996 - Всего страниц: 203 For fifty years the theatre, followed by television drama, has explored the myths and the consequences of the states of war which have loomed in the background of British life. This survey shows how succeeding generations of British playwrights have recognised war as a determining presence in the political consciousness of the nation. In their treatment of military conflict dramatists invariably find themselves engaging with underlying issues of class, of gender and of political authority. |
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Стр. 82
... Lovely War and History Derek Paget When Oh What a Lovely War opened at the Theatre Royal , Stratford East on 19 March 1963 , ' And When They Ask Us ' was the final song . ' Its lyric epitomises a dilemma faced by the homeward - bound ...
... Lovely War and History Derek Paget When Oh What a Lovely War opened at the Theatre Royal , Stratford East on 19 March 1963 , ' And When They Ask Us ' was the final song . ' Its lyric epitomises a dilemma faced by the homeward - bound ...
Стр. 83
... Lovely War . In performance , the song captured poignantly the idea of experience gone beyond the capacity of language to express it . Those who have not shared the troops ' experience are condemned to say , like Edgar at the end of ...
... Lovely War . In performance , the song captured poignantly the idea of experience gone beyond the capacity of language to express it . Those who have not shared the troops ' experience are condemned to say , like Edgar at the end of ...
Стр. 85
... Lovely War's expression of his torment was part of Theatre Workshop's own tradition of resisting official histories , and bringing people in from the margins.8 The printed programme for Lovely War in 1963 called it ' a musical ...
... Lovely War's expression of his torment was part of Theatre Workshop's own tradition of resisting official histories , and bringing people in from the margins.8 The printed programme for Lovely War in 1963 called it ' a musical ...
Содержание
Ballet Beauty and the Representation of Battle | 27 |
Representations | 45 |
Rodney Acklands The Pink Room | 61 |
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Acts of War: The Representation of Military Conflict on the British Stage ... Tony Howard,John Stokes Просмотр фрагмента - 1996 |
Часто встречающиеся слова и выражения
Absolute Hell Ackland actor army atomic audience Barker's play battle Birmingham Royal Ballet Bite Bond Bond's Britain British characters comedy Common Chorus conflict confront cultural Curteis dance Dark River death documentary drama dramatised Dresden essay experience Falklands Falklands Play Falklands War film gender genre German given after quotations Green Table Greenham Harrison Helen hero Hiroshima human ideology Joan Littlewood John Jooss killed later lives London look Lovely Lovely War MacColl male memory metaphor Methuen military missiles Monocled Mutineer mother myth nuclear apocalypse nuclear bomb Peace Peace Play performed Peter Pink Room playwright political post-war present Priestley production Robert Rodney Ackland role Royal Court Royal Court Theatre Savage scene Second World sense Sink the Belgrano social soldier stage television Theatre Workshop theatrical Tony Tony Harrison trilogy Troy Tumbledown University of Warwick violence wartime West End Woman women Wood's writing
Ссылки на эту книгу
The Cambridge History of British Theatre, Том 3 Jane Milling,Peter Thomson,Baz Kershaw,Joseph Walter Donohue (Jr.) Недоступно для просмотра - 2004 |