Ben JonsonLongmans, Green, and Company, 1886 - Всего страниц: 202 |
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Стр. 7
... playwright of ' Volpone . ' For example : ' He hath consumed a whole night in lying looking to his great toe , about which he hath seen Tartars and Turks , Romans and Carthaginians , fight in his imagination . ' These freaks of fancy ...
... playwright of ' Volpone . ' For example : ' He hath consumed a whole night in lying looking to his great toe , about which he hath seen Tartars and Turks , Romans and Carthaginians , fight in his imagination . ' These freaks of fancy ...
Стр. 8
... playwright , this was probably at the Paris Garden theatre , for Marston sneered at him as ' Jack of Paris Garden . ' It will be necessary at this point to introduce a brief sketch of the English drama antecedent to 1598 , 8 BEN JONSON.
... playwright , this was probably at the Paris Garden theatre , for Marston sneered at him as ' Jack of Paris Garden . ' It will be necessary at this point to introduce a brief sketch of the English drama antecedent to 1598 , 8 BEN JONSON.
Стр. 10
... our shores the public had developed for itself both comedy and tragedy , in a rude and ill - deter- mined fashion , it is true , but in such a way as to render 6 the highly complex style of our greatest playwrights not only ΙΟ BEN JONSON.
... our shores the public had developed for itself both comedy and tragedy , in a rude and ill - deter- mined fashion , it is true , but in such a way as to render 6 the highly complex style of our greatest playwrights not only ΙΟ BEN JONSON.
Стр. 11
John Addington Symonds. the highly complex style of our greatest playwrights not only possible but inevitable . Just at this point the nascent English drama was threatened with a serious danger . Together with the new learning of the ...
John Addington Symonds. the highly complex style of our greatest playwrights not only possible but inevitable . Just at this point the nascent English drama was threatened with a serious danger . Together with the new learning of the ...
Стр. 12
... playwrights how it could be handled with a flexibility , a resonance , and a variety of cadence un- known to the timid versifiers of the classic school . At the same time that he fixed and improved the metre of the serious drama ...
... playwrights how it could be handled with a flexibility , a resonance , and a variety of cadence un- known to the timid versifiers of the classic school . At the same time that he fixed and improved the metre of the serious drama ...
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