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after his death in the Gentleman's Magazine and the Universal Magazine for 1790, as well as of Dr. Stoughton's work already referred to. Other Lives, such as that by Hepworth Dixon, have been consulted, but none of them add materially to our knowledge.

In regard to the illustrations it may be well to note that the history of the frontispiece is given on p. 190. The "Portrait of the second Mrs. Howard" (No. 2) is taken from Brown's Memoir, for which the engraving was made from an original miniature, which Howard himself gave to his faithful servant, Mrs. Prole. The "Scene in Bridewell" (No. 3) is, of course, the familiar one from Hogarth's "Harlot's Progress." The representations of the "Courts of the King's Bench" and the "Fleet" (Nos. 4 and 5) are reproduced from Ackerman's Microcosm of London. The "Poor Debtor's Cell" (No. 6) is from an engraving in the British Museum. The next three illustrations (Nos. 7, 8, and 9) are all taken from Howard's State of Prisons. No. 10, "Howard relieving Prisoners," is from an old print published in 1791 shortly after Howard's death, and the illustration of "Howard's Tomb" is taken from the sketch by R. Heber in Clarke's Travels, vol. i. p. 573.

E. C. S. G.

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