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Ere you open your eyes in the city, the blessed church-bells begin:

No sooner the bells leave off than the diligence rattles in:

You get the pick of the news, and it costs you never a pin.

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By and by there's the travelling doctor gives pills, lets blood, draws teeth; Or the Pulcinello-trumpet1 breaks up the market beneath.

At the post-office such a scene-picturethe new play, piping hot!

And a notice how, only this morning, three liberal thieves were shot. Above it, behold the Archbishop's most fatherly of rebukes,

And beneath, with his crown and his lion, some little new law of the Duke's!

Or a sonnet with flowery marge, to the Reverend Don So-and-so,

Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero,

"And moreover" (the sonnet goes rhyming), "the skirts of Saint Paul has reached,

Having preached us those six Lent-lec

tures more unctuous than ever he preached."

50 Noon strikes,-here sweeps the procession! our Lady2 borne smiling and smart

With a pink gauze gown all spangles,

and seven swords stuck in her heart! Bang-whang-whang goes the drum, tootlete-tootle the fife;

No keeping one's haunches still: it's the greatest pleasure in life.

But bless you, it's dear-it's dear! fowls, wine, at double the rate. They have clapped a new tax upon salt,

and what oil pays passing the gates It's a horror to think of. And so, the

villa for me, not the city! Beggars can scarcely be choosers: but still-ah, the pity, the pity! Look, two and two go the priests, then the monks with cowls and sandals, And the penitents dressed in white shirts, a-holding the yellow candles;

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And such plenty and perfection, see, of grass

Never was!

1 After "verdure" supply "which," as object of "intersect." In like manner supply "which" after "marble" in line 23.

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There was a child went forth every day;

And the first object he look'd upon, that object he became,

And that object became part of him for the day or a certain part of the day,
Or for many years, or stretching cycles of years.

The early lilacs became part of this child,

And grass, and white and red morning-glories, and white and red clover, and the song of the phoebe-bird,

And the Third-month lambs, and the sow's pink-faint litter, and the mare's foal, and the cow's calf,

And the noisy brood of the barnyard or by the mire of the pond-side,

And the fish suspending themselves so curiously below there, and the beautiful curious liquid,

And the water-plants with their gracefui flat heads,-all became part of him.

10

The field-sprouts of Fourth-month and Fifth-month became part of him, Winter-grain sprouts, and those of the light-yellow corn, and the esculent roots of the garden,

And the apple-trees cover'd with blossoms and the fruit afterward, and wood-berries, and the commonest weeds by the road;

And the old drunkard staggering home from the outhouse of the tavern whence he had lately risen,

And the schoolmistress that pass'd on her way to the school,

And the friendly boys that pass'd, and the quarrelsome boys,

And the tidy and fresh-cheek'd girls, and the barefoot negro boy and girl,

And all the changes of city and country wherever he went.

His own parents,

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He that had father'd him and she that had conceiv'd him in her womb and birth'd him, They gave this child more of themselves than that;

They gave him afterward every day, they became part of him.

The mother at home, quietly placing the dishes on the supper-table,

The mother with mild words, clean her cap and gown, a wholesome odor falling off her person and clothes as she walks by,

The father, strong, self-sufficient, manly, mean, anger'd, unjust,

The blow, the quick loud word, the tight bargain, the crafty lure,

The family usages, the language, the company, the furniture, the yearning and swelling heart,

Affection that will not be gainsay'd, the sense of what is real, the thought if after all it should prove unreal,

The doubts of day-time and the doubts of night-time, the curious whether and how, Whether that which appears so is so, or is it all flashes and specks?

Men and women crowding fast in the streets, if they are not flashes and specks what are they?

30

The streets themselves, and the façades of houses, and goods in the windows,
Vehicles, teams, the heavy-plank'd wharves, the huge crossing at the ferries,
The village on the highland, seen from afar at sunset, the river between,
Shadows, aureola and mist, the light falling on roofs and gables of white or brown,
three miles off,

The schooner near by, sleepily dropping down the tide, the little boat slack-tow'd astern,

The hurrying tumbling waves, quick-broken crests, slapping,

The strata of color'd clouds, the long bar of maroon-tint away solitary by itself, the spread of purity it lies motionless in,

The horizon's edge, the flying sea-crow, the fragrance of salt marsh and shore mud; These became part of that child who went forth every day, and who now goes, and will always go forth every day.

40

(1855)

THE GRASS

[From the poem "Walt Whitman"]

WALT WHITMAN

A child said, What is the grass? fetching it to me with full hands;

How could I answer the child? I do not know what it is, any more than he.

I guess it must be the flag of my disposition, out of hopeful green stuff woven.

Or I guess it is the handkerchief of the Lord,

A scented gift and remembrancer, designedly dropp'd,

Bearing the owner's name someway in the corners, that we may see and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the vegetation.

Or I guess it is a uniform hieroglyphic,

And it means,

Sprouting alike in broad zones and narrow zones,

Growing among black folks as among white,

ΤΟ

Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the

same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you, curling grass;

It may be you transpire from the breasts of young men,

It may be if I had known them I would have loved them,

It may be you are from old people, and from women, and from offspring taken soon out of their mothers' laps,

And here you are the mothers' laps.

This grass is very dark to be from the white heads of old mothers,

Darker than the colorless beards of old men,

Dark to come from under the faint red roofs of mouths.

OI perceive after all so many uttering tongues!

And I perceive they do not come from the roofs of mouths for nothing.

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I wish I could translate the hints about the dead young men and women,

And the hints about old men and mothers, and the offspring taken soon out of their laps.

What do you think has become of the young and old men?

And what do you think has become of the women and children?

They are alive and well somewhere;

The smallest sprout shows there is really no death;

And if ever there was, it led forward life, and does not wait at the end to arrest it, 30 And ceased the moment life appear'd.

All goes onward and outward, nothing collapses,

And to die is different from what any one supposed, and luckier.

(1855)

MY LOST YOUTH

HENRY WADSWORTH LONGFELLOW

[The poem refers to Portland, Maine, Longfellow's native town. "Deering's Woods" (lines 47, 82) was an oak-grove on the outskirts of the city; the sea-fight of line 37 was an engagement of the War of 1812, between the American brig Enterprise and the British Boxer.]

Often I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old
town,

And my youth comes back to me.

And a verse of a Lapland song
Is haunting my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long
thoughts.'

I can see the shadowy lines of its trees, 10
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides1
Of all my boyish dreams.

And the burden of that old song,
It murmurs and whispers still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long
thoughts."

I remember the black wharves and the slips,

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And the sea-tides tossing free;
And the Spanish sailors with bearded lips,
And the beauty and mystery of the ships,

1 Hesperides. The western isles of the golden apples, in Greek mythology.

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