The works of sir Joshua Reynolds. To which is prefixed an account of the life and writings of the author, by E. Malone, Том 3 |
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Стр. 20
... 1745 , in 4to , says , that Fresnoy went to Venice without Mignard ; and that the latter , being importuned by the letters of the former , made a visit to him in that city . 2 finishing his house of Rinci , now Livry , having 20 THE LIFE ...
... 1745 , in 4to , says , that Fresnoy went to Venice without Mignard ; and that the latter , being importuned by the letters of the former , made a visit to him in that city . 2 finishing his house of Rinci , now Livry , having 20 THE LIFE ...
Стр. 21
sir Joshua Reynolds Edmond Malone. finishing his house of Rinci , now Livry , having seen this picture , was so highly pleased with it , that he took Du Fresnoy to that house , which is but two leagues from Paris , to paint the Salon ...
sir Joshua Reynolds Edmond Malone. finishing his house of Rinci , now Livry , having seen this picture , was so highly pleased with it , that he took Du Fresnoy to that house , which is but two leagues from Paris , to paint the Salon ...
Стр. 103
... finishing afterwards irksome ; the artist has already had the gratification which he ought to have kept back , and made to serve as a spur to hasten its com- pletion . NOTE X. VERSE 100 . Some lofty theme let judgement first supply ...
... finishing afterwards irksome ; the artist has already had the gratification which he ought to have kept back , and made to serve as a spur to hasten its com- pletion . NOTE X. VERSE 100 . Some lofty theme let judgement first supply ...
Стр. 107
... finishing or retouching the whole . If , for dispatch , the Artist looks out for assistance , it is in the middle stage only he can receive it ; the first and last ope gation must be the work of his own hand . NOTE XII . VERSE 108 ...
... finishing or retouching the whole . If , for dispatch , the Artist looks out for assistance , it is in the middle stage only he can receive it ; the first and last ope gation must be the work of his own hand . NOTE XII . VERSE 108 ...
Стр. 137
... finishing of the fabrick of the art : to attempt this summit of excellence , without having first laid the foundation of habitual correctness , may indeed be said to build castles in the air . Every part which goes to the composition of ...
... finishing of the fabrick of the art : to attempt this summit of excellence , without having first laid the foundation of habitual correctness , may indeed be said to build castles in the air . Every part which goes to the composition of ...
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admirable Æneas Albert Durer ancient Andrea Antonio Antonio da Correggio Antwerp Apelles appear ART OF PAINTING Artist atque beauty called Caracci Caravaggio charms colorum colours composition correctness Correggio detto Domenichino Domenico drapery Epic expression figures finishing forms Francesco Fresnoy genius Giacomo Giov Girolamo give glow grace Guercino Guido hand Hannibal harmony hero His.Por History Bologna History History Rome idea Il Bronzino imitated judgement Julio Romano Landsc light and shade Ludovico Carracci manner master Michael Angelo mind Nature noble NOTE ornamental Painted Country Painter Paris Parma passions Paul Brill Paul Veronese perfect picture Pietro Pietro Perugino pleasing Poem Poet Poetry Portraits practice precept principal Prospero Fontana quæ Quæque Rafaëlle Raffaelle Rome Rubens rules Sculpture shadow Sienna Studied under Excelled style taste things thro tint Tintoret tion Titian Tragedy translation Venice Veronese VERSE Virgil whole Wroon Zeuxis Zucchero
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Стр. 288 - Bid her be all that cheers or softens life, The tender sister, daughter, friend, and wife: Bid her be all that makes mankind adore ; Then view this marble, and be vain no more ! Yet still her charms in breathing paint engage; 55 Her modest cheek shall warm a future age.
Стр. 289 - Oh lasting as those colours may they shine, Free as thy stroke, yet faultless as thy line ; New graces yearly like thy works display, 65 Soft without weakness, without glaring gay; Led by some rule, that guides, but not constrains ; And finish'd more through happiness than pains.
Стр. 268 - is the gift of Jupiter;" and, to speak in the same heathen language, We call it the gift of our Apollo, not to be obtained by pains or study, if we are not born to it : for the motions which are studied are never so natural as those which break out in the height of a real passion.
Стр. 285 - THIS verse be thine, my friend! nor thou refuse This from no venal or ungrateful Muse. Whether thy hand strike out some free design, Where life awakes, and dawns at every line, Or blend in beauteous tints the colour'd mass, And from the canvass call the mimic face...
Стр. 256 - A happy genius is the gift of nature : it depends on the influence of the stars, say the astrologers ; on the organs of the body, say the naturalists ; it is the particular gift of heaven say the divines, both christians and heathens. How to improve it, many books can teach us ; how to obtain it, none ; that nothing can be done without it, all agree : Tu nihil invita dices faciesve Minerva. Without invention a Painter is but a copier, and a Poet but a plagiary of others.
Стр. 255 - ... gives us pleasure, a lively imitation of it, either in poetry or painting, must of necessity produce a much greater : for both these arts, as I said before, are not only true imitations of nature, but of the best nature, of that which is wrought up to a nobler pitch. They present us with images more perfect than the life in any individual, and we have the pleasure to see all the scattered beauties of nature united by a happy chemistry without its deformities or faults. They are imitations of...
Стр. 249 - ... may be applied what Hippocrates says of Physic, as I find him cited by an eminent French critic. " Medicine has long subsisted in the world; the principles of it are certain, and it has a certain way; by both which there has been found, in the course of many ages, an infinite number of things, the experience of which has confirmed its usefulness and goodness. All that is wanting to the perfection of this Art, will...
Стр. 268 - To express the passions which are seated on the heart by outward signs," is one great precept of the painters, and very difficult to perform. In poetry the same passions and motions of the mind are to be expressed ; and in this consists the principal difficulty, as well as the excellency of that art. " This," says my author, " is the gift of Jupiter;" and, to speak in the same heathen language, we call it the gift of our Apollo, not to be obtained by pains or study, if we are not born to it : for...
Стр. 236 - ... excited in us. Such in Painting are the warts and moles, which, adding a likeness to the face, are not, therefore, to be omitted ; but these produce no loathing in us ; but how far to proceed, and where to stop, is left to the judgment of the Poet and the Painter. In Comedy there is somewhat more of the worse likeness to be taken...
Стр. 280 - A work may be over-wrought, as well as under-wrought ; too much labour often takes away the spirit by adding to the polishing, so that there remains nothing but a dull correctness, a piece without any considerable faults, but with few beauties ; for when the spirits are drawn off, there is nothing but a caput mortuum.