The Popular and the Serious in Select Twentieth-century American NovelsE. Mellen Press, 1992 - Всего страниц: 153 This text takes a close look at the relationship between popular and serious fiction, with some surprising results. There are comparisons, for instance, between Norwegian immigrant and emigrant novels, or novels dealing extensively with mental retardation; examination on how a novel can spin out of formula to become truly serious (The Great Gatsby), or not always successfully become serious (The Sun Also Rises). It deals with a number of theoretical issues, Westerns, major figures such as William Faulkner, and Richard Brautigan - a postmodern writer who deconstructs the ability to differentiate between the popular and the serious. |
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Стр. 37
... moral fantasy , who says that formula relies on convention rather than innovation , and who perceives the moral fantasy in different types of formulas . With one exception that I will get to in a moment , I agree with the basic ...
... moral fantasy , who says that formula relies on convention rather than innovation , and who perceives the moral fantasy in different types of formulas . With one exception that I will get to in a moment , I agree with the basic ...
Стр. 66
... moral significance and the moral dimension of the novel , pulling the novel away from the very strong formulaic construct of its foundation . To gain a sense of complexity in the novel , Fitzgerald frequently uses the device of doubling ...
... moral significance and the moral dimension of the novel , pulling the novel away from the very strong formulaic construct of its foundation . To gain a sense of complexity in the novel , Fitzgerald frequently uses the device of doubling ...
Стр. 86
... moral deficit , but shall continue , gradually and voluntarily , to slide into the self - destruction of a material and moral receivership . Money is the key to Hemingway's rejection of formula . The characters in The Sun Also Rises ...
... moral deficit , but shall continue , gradually and voluntarily , to slide into the self - destruction of a material and moral receivership . Money is the key to Hemingway's rejection of formula . The characters in The Sun Also Rises ...
Содержание
WHY STUDY POPULAR CULTURE? | 1 |
COMEDY TRAGEDY MELODRAMA AND NATURALISM | 11 |
THE CONCEPT OF FORMULA | 29 |
Авторские права | |
Не показаны другие разделы: 6
Часто встречающиеся слова и выражения
adventure Alger American Literature American Novel anti-formula audience becomes begins Benjy Beret Billy Bojer Brautigan Brett Buck called Cawelti comedy complex fiction complex novel Compson consciousness critical Daisy deal Deanna Durbin dream Emigrants Ernest Hemingway fantasy father Faulkner feels Fishing in America formula and complex formula fiction frontier game plan Gatsby's Giants Hansa happens Hemingway's hero heroic human idea issue Jake Jake's Jay Gatsby Kilmer kind Kunitz Kvidahl Last Picture Show literary living Maggie male McKuen Meghan melodrama mentally retarded metaphorical modern moral Morton moves mysterious stranger narrator naturalism Norway Norwegian parable parody poem popular culture popular literature prairie Ragged Dick readers realize retarded individual Richard Brautigan Rølvaag romantic Romero says scene Scott Fitzgerald sense serious literature short story Snow White Sonny stereotyped Sun Also Rises theme Thorn Birds tion traditional tragedy tragic Trout Fishing typically values vision Watermelon Sugar West Western writer York