The Popular and the Serious in Select Twentieth-century American NovelsE. Mellen Press, 1992 - Всего страниц: 153 This text takes a close look at the relationship between popular and serious fiction, with some surprising results. There are comparisons, for instance, between Norwegian immigrant and emigrant novels, or novels dealing extensively with mental retardation; examination on how a novel can spin out of formula to become truly serious (The Great Gatsby), or not always successfully become serious (The Sun Also Rises). It deals with a number of theoretical issues, Westerns, major figures such as William Faulkner, and Richard Brautigan - a postmodern writer who deconstructs the ability to differentiate between the popular and the serious. |
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Стр. 2
... understands how popular literature gets created ; if they did understand , they would all be writing best sellers . Another example of this myth is the idea that popular literature is very , very simple . Now it is difficult not to ...
... understands how popular literature gets created ; if they did understand , they would all be writing best sellers . Another example of this myth is the idea that popular literature is very , very simple . Now it is difficult not to ...
Стр. 98
... understand anything at all . The Sound and the Fury presents a spectrum of views about the impossibility of ... understanding , from a position outside all standard human experience . Impossible to gloss over , the embodiment of the ...
... understand anything at all . The Sound and the Fury presents a spectrum of views about the impossibility of ... understanding , from a position outside all standard human experience . Impossible to gloss over , the embodiment of the ...
Стр. 118
... understand The Emigrants , since so much of it is set in Norway ( at least set in people's memory or fantasy or the various times out on the farm when they start thinking about the past ) , it is important to understand the geographical ...
... understand The Emigrants , since so much of it is set in Norway ( at least set in people's memory or fantasy or the various times out on the farm when they start thinking about the past ) , it is important to understand the geographical ...
Содержание
WHY STUDY POPULAR CULTURE? | 1 |
COMEDY TRAGEDY MELODRAMA AND NATURALISM | 11 |
THE CONCEPT OF FORMULA | 29 |
Авторские права | |
Не показаны другие разделы: 6
Часто встречающиеся слова и выражения
adventure Alger American Literature American Novel anti-formula audience becomes begins Benjy Beret Billy Bojer Brautigan Brett Buck called Cawelti comedy complex fiction complex novel Compson consciousness critical Daisy deal Deanna Durbin dream Emigrants Ernest Hemingway fantasy father Faulkner feels Fishing in America formula and complex formula fiction frontier game plan Gatsby's Giants Hansa happens Hemingway's hero heroic human idea issue Jake Jake's Jay Gatsby Kilmer kind Kunitz Kvidahl Last Picture Show literary living Maggie male McKuen Meghan melodrama mentally retarded metaphorical modern moral Morton moves mysterious stranger narrator naturalism Norway Norwegian parable parody poem popular culture popular literature prairie Ragged Dick readers realize retarded individual Richard Brautigan Rølvaag romantic Romero says scene Scott Fitzgerald sense serious literature short story Snow White Sonny stereotyped Sun Also Rises theme Thorn Birds tion traditional tragedy tragic Trout Fishing typically values vision Watermelon Sugar West Western writer York