Walt WhitmanOxford University Press, 7 янв. 2005 г. - Всего страниц: 176 From the great events of the day to the patient workings of a spider, few poets responded to the life around them as powerfully as Walt Whitman. Now, in this brief but bountiful volume, David S. Reynolds offers a wealth of insight into the life and work of Whitman, examining the author through the lens of nineteenth-century America. Reynolds shows how Whitman responded to contemporary theater, music, painting, photography, science, religion, and sex. But perhaps nothing influenced Whitman more than the political events of his lifetime, as the struggle over slavery threatened to rip apart the national fabric. America, he believed, desperately needed a poet to hold together a society that was on the verge of unraveling. He created his powerful, all-absorbing poetic "I" to heal a fragmented nation that, he hoped, would find in his poetry new possibilities for inspiration and togetherness. Reynolds also examines the influence of theater, describing how Whitman's favorite actor, the tragedian Junius Brutus Booth--"one of the grandest revelations of my life"--developed a powerfully emotive stage style that influenced Leaves of Grass, which took passionate poetic expression to new heights. Readers will also discover how from the new medium of photography Whitman learned democratic realism and offered in his poetry "photographs" of common people engaged in everyday activities. Reynolds concludes with an appraisal of Whitman's impact on American letters, an influence that remains strong today. Solidly grounded in historical and biographical facts, and exceptionally wide-ranging in the themes it treats, Walt Whitman packs a dazzling amount of insight into a compact volume. |
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... later. A taciturn man with a knack for ill success and possibly a drinking problem, Walter is thought to be the subject of these famous lines in “There Was a Child Sent Forth”: The father, strong, self-sufficient, manly, mean, anger'd ...
... later. A taciturn man with a knack for ill success and possibly a drinking problem, Walter is thought to be the subject of these famous lines in “There Was a Child Sent Forth”: The father, strong, self-sufficient, manly, mean, anger'd ...
Стр. 4
... lost them.”4 Walt would spend twenty-eight years of his life in Brooklyn, absorbing its sights and sounds. “I was bred in Brooklyn,” he said later, “through many, many years; tasted its familiar life.”5 He 4 WALT WHITMAN.
... lost them.”4 Walt would spend twenty-eight years of his life in Brooklyn, absorbing its sights and sounds. “I was bred in Brooklyn,” he said later, “through many, many years; tasted its familiar life.”5 He 4 WALT WHITMAN.
Стр. 5
... later claimed that Lafayette had picked up several children, including himself, lifted him high and kissed him on the cheek. There was just one public school in Brooklyn, District School No. 1 on Concord and Adams Streets. Walt attended ...
... later claimed that Lafayette had picked up several children, including himself, lifted him high and kissed him on the cheek. There was just one public school in Brooklyn, District School No. 1 on Concord and Adams Streets. Walt attended ...
Стр. 6
... later editions of the volume. “I like to supervise the production of my books,” he would say, adding that an author “might be the maker even of the body of his book—set the type, print the book on a press, put a cover on it, all with ...
... later editions of the volume. “I like to supervise the production of my books,” he would say, adding that an author “might be the maker even of the body of his book—set the type, print the book on a press, put a cover on it, all with ...
Стр. 8
... later incorporate into his poetry. His major journalistic stint was as the editor of the Brooklyn Daily Eagle from 1846 to early 1848. His many pieces for this Democratic newspaper, mainly prose sketches, manifest his fascination with ...
... later incorporate into his poetry. His major journalistic stint was as the editor of the Brooklyn Daily Eagle from 1846 to early 1848. His many pieces for this Democratic newspaper, mainly prose sketches, manifest his fascination with ...
Содержание
1 | |
POPULAR CULTURE CITY LIFE AND POLITICS | 24 |
THEATER ORATORY AND MUSIC | 41 |
THE VISUAL ARTS | 57 |
SCIENCE PHILOSOPHY AND RELIGION | 76 |
SEX GENDER AND COMRADESHIP | 101 |
THE CIVIL WAR LINCOLN AND RECONSTRUCTION | 123 |
LIST OF ABBREVIATIONS | 141 |
NOTES | 143 |
NOTES ON FURTHER READING | 153 |
INDEX | 155 |
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absorb actor admired African American Alboni Ameri American antebellum antislavery artistic b’hoy beauty became Beecher body Brooklyn Daily Eagle Calamus com con Crossing Brooklyn Ferry cultural daguerreotype death democratic early earth editions of Leaves Emerson Emory Holloway free love genre God’s Harmonial Horatio Greenough human images Junius Brutus Booth later Leaves of Grass lecture Liebig Lincoln literature Long Island lovers luminist magnetic man Manhattan marriage Mount mystical nation nature newspaper notebook novels NUPM O’Connor opera oratory Orson Fowler painters paintings paragraph passionate person Photographs Division phrenology poet’s poetic political popular preface Prints and Photographs Prose prostitution quotation religion religious sexual singers singing slave slavery social Song soul spiritual spiritualist streets style Swedenborgian tion told Traubel University Press WALT W Walt Whitman Whitman saw Whitman wrote Whitman’s poems Whitman’s poetry woman women women’s rights writes York