They lay along the battery's side, Below the smoking cannon; Brave hearts, from Severn and from Clyde, They sang of love, and not of fame; Voice after voice caught up the song, Rose like an anthem, rich and strong,- Dear girl, her name he dared not speak, Beyond the darkening ocean burned And once again a fire of hell Rained on the Russian quarters, With scream of shot and burst of shell, And Irish Nora's eyes are dim For a singer, dumb and gory; And English Mary mourns for him Sleep, soldiers! still in honored rest The loving are the daring. BAYARD TAYLOR. IN ITALY. 123 In Italy. EAR Lillian, all I wished is won; DE I sit beneath Italia's sun, Where olive-orchards gleam and quiver Along the banks of Arno's river. Through laurel leaves the dim green light And the sweet chimes of vesper ringing Rich is the soil with Fancy's gold; Rise thronging in my haunted vision, But as radiant sunsets close Thy words, in Memory's ear, outchime Thou standest here-the gentle-hearted— I see before thee fade away Their garlands of immortal bay, And turn from Petrarch's passion-glances Sad is the opal glow that fires The midnight of the cypress spires; The fair Italian dream I chaced, Lies in the heart that mine hath won. BAYARD TAYLOR. MY Zara's Ear-Rings. Year-rings! my ear-rings! they've dropped into the well, And what to say to Muça, I cannot, cannot tell 'T was thus, Granada's fountain by, spoke Albuharez' daugh ter: The well is deep-far down they lie, beneath the cold blue water; To me did Muça give them, when he spake his sad farewell, And what to say when he comes back, alas! I cannot tell. My ear-rings! my ear-rings !-they were pearls in silver set, That, when my Moor was far away, I ne'er should him forget; That I ne'er to other tongues should list, nor smile on other's tale, But remember he my lips had kissed, pure as those ear-rings pale. When he comes back, and hears that I have dropped them in the well, Oh! what will Muça think of me?—I cannot, cannot tell! My ear-rings! my ear-rings!-he'll say they should have beer:, Not of pearl and of silver, but of gold and glittering sheen, Of jasper and of onyx, and of diamond shining clear, Changing to the changing light, with radiance insincere ; That changeful mind unchanging gems are not befitting well: Thus will he think-and what to say, alas! I cannot tell. ON THE CLIFF. 125 He'll think, when I to market went I loitered by the way; noosed, From the ears where he had placed them my rings of pearl unloosed; He'll think when I was sporting so beside his marble well, My pearls fell in—and what to say, alas! I cannot tell. He'll say, I am a woman, and we are all the same; He'll say, I loved, when he was here to whisper of his flame- I'll tell the truth to Muça-and I hope he will believe— eve; That, musing on my lover when down the sun was gone, And that deep his love lies in my heart, as they lie in the well. Translation of JOHN GIBSON LOCKHART. On the Cliff. EE where the crest of the long promontory, "SEE Decked by October in crimson and brown, “See the small ripples in curving ranks chasing Hands interlocked, o'er a wide meadow floor. "See the low surf where it restlessly tumbles, O wave that will conquer! O cliff that must fall!" 66 Ah lady, how deep is the truth of your teaching! But little you dream of the meaning far-reaching, Yea more than you meant them, your words have for me. Light run my fancies that once were too sober; All the fair land of the future lies spread Brightly before me in hues of October; Homeward, full laden, my ship turns her head. Dimly across them falls fate's mystic curtain- Making the fanciful turn to the certain, Then would the sounds and the sights of to-day Ring like the strains of a ballad pathetic, Heard when the voice of the singer is dumb; Glow like the great words on pages prophetic, Read when the fingers that wrote them are numb. |