British Criticisms of American Writings, 1783-1815: A Contribution to the Study of Anglo-American Literary Relationships, Том 2

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1918 - Всего страниц: 97

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Стр. 43 - What he attempted, he performed ; he is never feeble, and he did not wish to be energetick * ; he is never rapid, and he never stagnates. His sentences have neither studied amplitude, nor affected brevity ; his periods, though not diligently rounded, are voluble and easy. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Стр. 250 - Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake, has most. For art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments
Стр. 9 - What though the field be lost ? All is not lost : the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield : And what is else not to be overcome ? That glory never shall his wrath or might 110 Extort from me.
Стр. 10 - Cherub, to be weak is miserable, Doing or suffering: but of this be sure, To do aught good never will be our task, But ever to do ill our sole delight, As being the contrary to his high will Whom we resist.
Стр. 146 - The History of the Late Revolution of the Empire of the Great Mogul...
Стр. 16 - When common words were less pleasing to the ear, or less distinct in their signification, I have familiarized the terms of philosophy, by applying them to popular ideas...
Стр. 80 - LIKE to the falling of a star, Or as the flights of eagles are ; Or like the fresh spring's gaudy hue, Or silver drops of morning dew; Or like a wind that chafes the flood, Or bubbles which on water stood : Even such is man, whose borrowed light Is straight called in, and paid to-night. The wind blows out, the bubble dies ; The spring entombed in autumn lies ; The dew dries up, the star is shot ; The flight is past, — and man forgot.
Стр. 43 - His prose is the model of the middle style; on grave subjects not formal, on light occasions not grovelling; pure without scrupulosity, and exact without apparent elaboration; always equable, and always easy, without glowing words or pointed sentences.
Стр. 128 - Sing a song of sixpence, A pocket full of rye; Four and twenty blackbirds Baked in a pie. When the pie was opened, The birds began to sing; Was not that a dainty dish To set before the king!
Стр. 18 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled : every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid : the whole is airy, animated, and vigorous; what is little, is gay ; what is great, is splendid.

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