The Cambridge History of American Literature: Volume 4, Nineteenth-Century Poetry 1800-1910Sacvan Bercovitch, Cyrus R. K. Patell Cambridge University Press, 1994 - Всего страниц: 368 This is the first complete narrative history of nineteenth-century American poetry. Barbara Packer explores the neoclassical and satiric forms mastered by the early Federalist poets; the creative reaches of once-celebrated, and still compelling, poets like Longfellow and Whittier; the distinctive lyric forms developed by Emerson and the Transcendentalists. Shira Wolosky provides a new perspective on the achievement of female poets of the period, as well as a close appreciation of African-American poets, including the collective folk authors of the Negro spirituals. She also illuminates the major works of the period, from Poe through Melville and Crane, to Whitman and Dickinson. The authors of this volume discuss this extraordinary literary achievement both in formal terms and in its sustained engagement with changing social and cultural conditions. In doing so they recover and elucidate American poetry of the nineteenth century for our twenty-first century pleasure, profit, and renewed study. |
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... American literature . The first Cambridge History of American Literature ( 1917 ) helped introduce a new branch of English writing . The Literary History of the United States , assembled thirty years later under the aegis of Robert E ...
... American literature . The first Cambridge History of American Literature ( 1917 ) helped introduce a new branch of English writing . The Literary History of the United States , assembled thirty years later under the aegis of Robert E ...
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... American framework , and although several of them discuss works in other languages , mainly their concerns center upon writing in English in this country - " American literature " as it has been ( and still is ) commonly understood in ...
... American framework , and although several of them discuss works in other languages , mainly their concerns center upon writing in English in this country - " American literature " as it has been ( and still is ) commonly understood in ...
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... American landscape within pre - Wordsworthian metrical and rhetorical structures . Emerson's poetry provides the most intricate example of this tension between British forms and American materials . His discovery of Wordsworth and ...
... American landscape within pre - Wordsworthian metrical and rhetorical structures . Emerson's poetry provides the most intricate example of this tension between British forms and American materials . His discovery of Wordsworth and ...
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Содержание
reverence and ambition | 11 |
Neoclassicism comic and satiric verse | 17 |
Early narrative and lyric | 41 |
Transcendentalism | 87 |
JOHN GREENLEAF WHITTIER | 137 |
the claims of thetoric | 147 |
Modest claims | 155 |
Claiming the Bible | 200 |
Poetic languages | 248 |
Plural identities | 324 |
Walt Whitman the office of the poet | 362 |
Emily Dickinson the violence of the imagination | 427 |
Chronology 18001910 | 481 |
Bibliography | 534 |
540 | |
Часто встречающиеся слова и выражения
aesthetic Allston American culture American Poetry assert Barlow beauty becomes Bible Biblical body Bryant called central century Christian claims commitment Crane dead death dialect divine domestic Dunbar's economic Edgar Allan Poe emerges Emerson Emily Dickinson Emma Lazarus England English eternal experience female figure Frances Harper gender genteel George Moses Horton heart heaven Henry Wadsworth Longfellow hymns identity imagery imagination individual interpretation John Greenleaf Whittier Julia Ward language Lazarus Leaves of Grass literary literature Longfellow Lydia Sigourney Melville metaphysical modesty multiple nature nineteenth-century Poe's poem poem's poet poetic political President publishes redemption reflects religious remains represents rhetoric role Santayana seems selfhood sense sexual signified Sigourney Sigourney's slave slavery social Song sonnet soul speak specific sphere spiritual structure texts thee thou tradition typology verse vision voice Walt Whitman Whitman Whittier woman women words writing wrote