N. P. WILLIS. [Born 1807. Die 1 1867.] NATHANIEL P. WILLIS was born at Portland, in Maine, on the twentieth day of January, 1807. During his childhood his parents removed to Boston; and at the Latin school in that city, and at the Philips Academy in Andover, he pursued his studies until he entered Yale College, in 1823. While he resided at New Haven, as a student, he won a high reputation, for so young an author, by a series of Scripture Sketches," and a few other brief poems; and it is supposed that the warm and too indiscriminate praises bestowed upon these productions, influenced unfavourably his subsequent He was graduated in progress in the poetic art. 1827, and in the following year he published a Poem delivered before the Society of United Brothers of Brown University," which, as well as his "Sketches," issued soon after he left college, was very favourably noticed in the best periodicals of the time. He also edited "The Token," a wellknown annuary, for 1828; and about the same period published, in several volumes, "The Legendary," and established "The American Monthly Magazine." To this periodical several young writers, who afterward became distinguished, were contributors; but the articles by its editor, constituting a large portion of each number, gave to the work its character, and were of all its contents the most popular. In 1830 it was united to the "New York Mirror," of which Mr. WILLIS became one of the conductors; and he soon after sailed for Europe, to be absent several years. He travelled over Great Britain, and the most interesting portions of the continent, mixing largely in society, and visiting every thing worthy of his regard as a man of taste, or as an American; and his "First Impressions" were given in his letters to the "Mirror," in which he described, with remarkable spirit and fidelity, and in a style peculiarly graceful and elegant, scenery and incidents, and social life among the polite classes in Europe. His letters were collected and republished in London under the title of "Pencillings by the Way," and violently attacked in several of the leading periodicals, ostensibly on account of their too great freeCaptain MARRYAT, who dom of personal detail. was at the time editing a monthly magazine, wrote an article, characteristically gross and malignant, which led to a hostile meeting at Chatham, and Mr. LOCKHART, in the "Quarterly Review," published a "criticism" alike illiberal and unfair. WILLIS perhaps erred in giving to the public dinner-table conversations, and some of his descriptions of manners; but Captain MARRYAT himself is not undeserving of censure on account of the "personalities" in his writings; and for other reasons he could not have been the most suitable person in England to avenge the wrong It was alleged Mr. WILLIS had offered to society. That the author of "Peter's Letters to Mr. 46 his Kinsfolk," a work which is filled with far 66 In 1835 Mr. WILLIS was married in England. He soon after published his "Inklings of Adventure," a collection of tales and sketches originally written for a London magazine, under the signature of Philip Slingsby;" and in 1837 he returned to the United States, and retired to his beautiful estate on the Susquehanna, named "Gleninary," in compliment to one of the most admirable wives that ever gladdened a poet's solitude. In the early part of 1839, he became one of the editors of "The Corsair," a literary gazette, and in the autumn of that year went again to London, where, in the following winter, he published his "Loiterings of Travel," in three volumes, and "Two Ways of Dying for a Husband," comprising the plays "BiTortesa the Usurer." In anca Visconti," and 1840 appeared the illustrated edition of his poems, and his "Letters from Under a Bridge," and he retired a second time to his seat in western New York. The death of Mrs. WILLIS, in 1843, caused him to revisit England, where he published a collection of his magazine papers, under the title of "Dashes at Life, with a Free Pencil." In October, 1846, he married a daughter of Mr. GRINNELL, a distinguished citizen of Massachusetts, and has since resided at Idlewild, near Newburgh, on the Hudson, a romantic place, which he has cultivated and embellished until it is one of the most charming homes which illustrate the rural life of our country. Here, except during a “ Health Trip to the Tropics," in the winter of 1851 and 1852, he has passed his time, in the preparation of new editions of his earlier works, and in writing every week more or less for the "Home Journal," in which he is again successfully engaged with his old friend General MORRIS as an editor. Although Mr. WILLIS is one of the most popular of our poets, the fame he has acquired in other works has so eclipsed that won by his poems that the most appropriate place for a consideration of his genius seemed to be in "The Prose Writers of America," and in that volume I have therefore attempted his proper characterization. A man of wit, kindly temper, and elegant tastes-somewhat arti ficial in their more striking displays-with a voca bulary of unusual richness in all the elements which, are most essential for the picturesque and dramatic treatment of a peculiar vein of sentiment, and a corresponding observation of society and nature, it must be admitted that he is a word-painter of extra ordinary skill and marked individuality. 371 372 MELANIE. J. I STOOD on yonder rocky brow,* My life was then untouch'd of pain; Yon wondrous temple crests the rock, But though mine eye will kindle still In looking on the shapes of art, The link is lost that sent the thrill, And still I loved the rosy hours; breast And if there lurk'd within my Some nerve that had been overstrung And quiver'd in my hours of rest, Like bells by their own echo rung, I was with Hope a masker yet, And well could hide the look of sadness, I knew, at least, the trick of gladness, "T were idle to remember now, Had I the heart, my thwarted schemes. I bear beneath this alter'd brow The ashes of a thousand dreams: Whose wells I had not tasted deep; For every fount save one-the sweetest-and the last. The last-the last! My friends were dead, The sea had lock'd its hiding wave; The story is told during a walk around the Cascatelles of Tivoli. And still, I say, I did not slack When plague and ruin bid him flee, My sister claim'd no kinsman's care; The eye stole upward unaware— And knew I, with prophetic heart, II. We came to Italy. I felt A yearning for its sunny sky As swept its first warm breezes by. To see my sister's new delight; To Pæstum, in its purple light, By deathless lairs in solemn Rome, We loiter'd like the impassion'd sun, And made a home of every one- And crown'd the dying day with glory, story. We came, with spring, to Tivoli. My sister loved its laughing air And merry waters, though, for me, My heart was in another key; And sometimes I could scarcely bear The mirth of their eternal play, And, like a child that longs for home, When weary of its holiday, I sigh'd for melancholy Rome. Perhaps the fancy haunts me still"Twas but a boding sense of ill. It was a morn, of such a day As might have dawn'd on Eden first, Early in the Italian May. Vine-leaf and flower had newly burst. And, on the burden of the air, N. P. WILLIS. The breath of buds came faint and rare; And through the clefts of newer green Yon waters dash'd their living pearls; And, with a gayer smile and bow, Troop'd on the merry village-girls; The low-slouch'd hat was backward thrown, And clasped hands upon my arm, And bless'd life's mere and breathing charm, In happiness and idleness We wander'd down yon sunny vale,— Floats back upon this summer gale! A laugh rings merry in mine ear! O, Gon! my sister once was here! That broken fountain, running o'er Some fountain nymph's love-story now!" He gave the greeting of the morn With voice that linger'd in mine ear. By those two words, so calm and clear. And swept by threads of raven hair; And he was pale and marble fair; And loved him e'er the echo died: We sat and watch'd the fount a while Of sympathy, we saunter'd on; And, in this changefulness of mood, We turn'd where VARRO's villa stood, (Whose hurrying waters, wild and white, I chanced to turn my eyes away, He said and dropp'd his earnest eyes- I only found-my sister's face! III. Our life was changed. Another love She who had smiled for me alone- It seem'd to me the very skies The air had breathed of balm-the flower Of radiant beauty seem'd to be But as she loved them, hour by hour, The selfishness of earth above, He sleeps who guards a brother's loveThough to a sister's present weal The deep devotion far transcends A passing stranger of a day, Who never hath been friend or brother, Pluck with a look her heart away, To see the fair, unsullied brow, Ne'er kiss'd before without a prayer, Upon a stranger's bosom now, Who for the boon took little care, Who is enrich'd, he knows not why; Who suddenly hath found a treasure Golconda were too poor to buy; And he, perhaps, too cold to measure, (Albeit, in her forgetful dream, The unconscious idol happier seem,) "T is difficult at once to crush The rebel mourner in the breast, To press the heart to earth, and hush And difficult-the eye gets dim— I thank sweet MARY Mother now, Who gave me strength those pangs to hide, And touch'd mine eyes and lit my brow To one who ask'd so much of me,-- And mused if she would happier be; And, hour by hour, and day by day, I loved the gentle painter more, And in the same soft measure wore And I began to watch his mood, And on my mind would sometimes press What spells the stirring heart may move-PYGMALION'S statue never seem'd More changed with life, than she with love. The pearl-tint of the early dawn Flush'd into day-spring's rosy hue; And do not image half to me IV. A calm and lovely paradise Is Italy, for minds at ease. The sadness of its sunny skies Weighs not upon the lives of these. The ruin'd aisle, the crumbling fane, The broken column, vast and proneIt may be joy, it may be pain, Amid such wrecks to walk alone; The saddest man will sadder be, The gentlest lover gentler there, As if, whate'er the spirit's key, It strengthen'd in that solemn air. The heart soon grows to mournful things; And even her majestic trees And drew their sap all kingly yet! Is broken from some mighty thought, And sculptures in the dust still breathe The fire with which their lines were wrought, And sunder'd arch, and plunder'd tomb Still thunder back the echo, "Rome!" Vet gayly o'er Egeria's fount The ivy flings its emerald veil. And soft, from Caracalla's Baths, The herdsman's song comes down the breeze, While climb his goats the giddy paths To grass-grown architrave and frieze; And gracefully Albano's hill Curves into the horizon's line, And sweetly sings that classic rill, And fairly stands that nameless shrine; And here, O, many a sultry noon And starry eve, that happy June, Came ANGELO and MELANIE, And earth for us was all in tuneFor while Love talk'd with them, Hope walk d apart with me! V. I shrink from the embitter'd close "Tis long since I have waked my woes- My brain feels warm with starting tears, "T will soothe a while the ache on years. The heart transfix'd-worn out with griefWill turn the arrow for relief. The painter was a child of shame! It stirr'd my pride to know it first, And thought, alas! I knew the worst, A high-born Conti was his mother, The Roman hid his daughter's shame And, with a noble's high desires The boy consumed with hidden fires, And sometimes at St. Mona's shrine, The voice that told its bitter tale The demon in my bosom died! VI. St. Mona's morning mass was done; The shrine-lamps struggled with the day; And, rising slowly, one by one, Stole the last worshippers away. The organist play'd out the hymn, The incense, to St. MARY swung, |