HENRY T. TUCKERMAN. MARY. WHAT though the name is old and oft repeated, What though a thousand beings bear it now, And yon bright star we hail, although its looming As starry beams o'er troubled billows stealing, Celestial halos from thy gentle name: We inly paint as we would have things be- AS APHRODITE rose from out the sea. In a far land where I was sad and lone? "YOU CALL US INCONSTANT." To tear the fresh rose from the garland of youth, By the tender appeal of that beauty, beware GREENOUGH'S WASHINGTON. THE quarry whence thy form majestic sprung But from its sleeping veins ne'er rose before Than his, who Glory's wreath with meekness wore, Sheathed is the sword that Passion never stain'd; His gaze around is cast, As if the joys of Freedom, newly-gain'd, Before his vision pass'd; As if a nation's shout of love and pride And his calm soul was lifted on the tide As if the crystal mirror of his life To fancy sweetly came, With scenes of patient toil and noble strife, As if the lofty purpose of his soul Whose angel guidance was our strength in fight, Whose matchless truth has made his name divine, And human freedom sure, His country great, his tomb earth's dearest shrine And it is well to place his image there, Let us go up with high and sacred love And as, with solemn grace, he points above, ALONE ONCE MORE. ALONE once more!--but with such deep emotion, Waking to life a thousand hopes and fears, Such wild distrust-such absolute devotion, My bosom seems a dreary lake of tears: Tears that stern manhood long restrain'd from gushAs mountains keep a river from the sea, [ing, Until Spring's floods, impetuous'y rushing, Channel a bed, and set its waters free! What mockery to all true and earnest feeling. This fatal union of the false and fair! Eyes, lips, and voice, unmeasured bliss revealing, With hearts whose lightness fills us with despair! O God! some sorrows of our wondrous being A patient mind can partly clear away; Ambition cools when fortune's gifts are fleeing, And men grow thoughtful round a brother's clay; But to what end this waste of noble passion! This wearing of a truthful heart to dustAdoring slaves of humour, praise, or fashion, The vain recipients of a boundless trust? Come home, fond heart, cease all instinctive pleadAs the dread fever of insane desire, [ing, To some dark gulf thy warm affections leading, When love must long survive, though faith expire! Though wonted glory from the earth will vanish, And life seem desolate, and hope beguile, Love's cherish'd dream learn steadfastly to banish, Till death thy spirit's conflict reconcile! SONNETS. 1. TO Yet again WHAT though our dream is broken? Lurks in each flower-cell which the spring-time As music rests upon the quiet lip, And power to soar yet lives in folded wingsSo let the love on which your spirits glide Flow deep and strong beneath its bridge of sighs, No shadow resting on the latent tide Whose heavenward current baffles human eyes, Until we stand upon the holy shore, And realms it prophesied at length explore! 11. COURAGE AND PATIENCE. COURAGE and patience! elements whereby Far, far above this realm of wasting pain- And turning from the richest lures of time, 111. ALL HEARTS ARE NOT DISLOYAL. ALL hearts are not disloval: let thy trust Be deep, and clear, and all-confiding still, For though Love's fruit turn on the lips to dust She ne'er betrays her child to lasting ill: Through leagues of desert must the pilgrim go Ere on his gaze the holy turrets rise; Through the long, sultry day the stream must flow Ere it can mirror twilight's purple skies. Fall back unscathed from contact with the vain, Keep thy robes white, thy spirit bold and free, And calmly launch Affection's bark again, Hopeful of golden spoils reserved for thee! Though lone the way as that already trod, Cling to thine own integrity and Gon! IV. LIKE A FAIR SEA. LIKE the fair sea that laves Italia's strand, Embodied once in thy sweet form and name, From which devotion's lingering spark has fled; Insensate homage only wreaths can twine Around the pulseless temples of the dead: Thou from thy better self hast madly flown, While to that self allegiance still I own. V. FREEDOM. FREEDOM! beneath thy banner I was born- And to be free from passion's bitter strife; Nourish'd by lofty aims and genial truth, And made more free by Love's serene control, The spell of beauty and the hopes of youth. The liberty of Nature let me know, Caught from her mountains, groves, and crystal streams, Her starry host, and sunset's purple glow, Till life's harsh fetters clog the heart no more! VI. DESOLATION. THINK уe the desolate must live apart, By solemn vows to convent-walls confined! Ah! no; with men may dwell the cloister'd heart, And in a crowd the isolated mind; Tearless behind the prison-bars of fate, The world sees not how sorrowful they stand, Gazing so fondly through the iron grate, Upon the promised, yet forbidden land; Patience, the shrine to which their bleeding feet, Day after day, in voiceless penance turn; Silence, the holy cell and calm retreat In which unseen their meek devotions burn; Life is to them a vigil that none share, Their hopes a sacrifice, their love a prayer. HENRY T. TUCKERMAN. LUNA: AN ODE. THE South wind hath its balm, the sea its cheer, And awe subdues: The wave-toss'd seamen and the harvest crew, In glancing from their task to thy maternal smile! At thy enchanting touch, a magic woof, Destin'd to melt in nothingness again— As piles aerial down the tide of dreams! With thy mild presence on the ruin'd fane, To mingle with the Past, And o'er her trophies lone a holy mantle cast! Thy beams a moment rest, And then in sparkling mirth dissolve away; And on the mossy clumps its rays fantastic play. What reverent joy to pace the temple floor, O'er statue, tomb, and arch, its solemn radiance pour! The untamed waters in their ebb and flow, Madonna of the stars! through the cold prison-grate [spent! To cheer the desolate, Sacred to human woes, And nations deem'd thee arbitress of Fate, And wistful gazed upon thy queenly state, A lofty peace is thine!-the tides of life Exhausting joy, but evenly and fond And heals the chafing of the work-day bond; Give me thy patient spe!l!-to bear With an unclouded brow the secret pain TASSO TO LEONORA. Ir to love solitude because my heart May undisturbed upon thy image dwell, To hide the fond thoughts that its pulses swel ; Affection's faintest semblances in thee, Delicious peace, a feeling as of wings, A noble scorn of all unworthy things- Or with impatient longings waste the day, And chiefly sorrow that but half reveal'd That holiest pleasure must be all conceal'd- The hour we recognised each other's truth, That thou hast realized the dreams of youth- To bare my heart to thee without disguise, Feeling that life vouchsafes no dearer prize; Upon its many errands might have flown, COLUMBUS. HEROIC guide! whose wings are never furl'd, By thee Spain's voyager sought another world; What but poetic impulse could sustain That dauntless pilgrim on the dreary main? Day after day his mariners protest, And gaze with dread along the pathless west; Beyond that realm of waves, untrack'd before, Thy fairy pencil traced the promised shore, Through weary storms and faction's fiercer rage, The scoffs of ingrates and the chills of age, Thy voice renewed his earnestness of aim. And whisper'd pledges of eternal fame; Thy cheering smile atoned for fortune's frown, And made his fetters garlands of renown. FLORENCE. PRINCES, when softened in thy sweet embrace, Yearn for no conquest but the realm of grace, And thus redeemed, Lorenzo's fair domain Smiled in the light of Art's propitious reign. Delightful Florence! though the northern gale Will sometimes rave around thy lovely vale, Can I forget how softly Autumn threw Beneath thy skies her robes of ruddy hue, Through what long days of balminess and peace, From wintry bonds spring won thy mild release! Along the Arno then I loved to pass, And watch the violets peeping from the grass, Mark the gray kine each chestnut grove between, Startle the pheasants on the lawny green, Or down long vistas hail the mountain snow, And liquid words from lips of beauty start, POETRY IMMORTAL. FOR fame life's meaner records vainly strive, While, in fresh beauty, thy high dreams survive. Still Vesta's temple throws its classic shade O'er the bright foam of Tivoli's cascade, And to one Venus still we bow the knee, Divine as if just issued from the sea; In fancy's trance, yet deem on nights serene We hear the revels of the fairy queen, That Dian's smile illumes the marble fane, And Ceres whispers in the rustling grain, That Ariel's music has not died away, And in his shell still floats the Culprit Fay. The sacred beings of poetic birth Immortal live to consecrate the earth. San Marco's pavement boasts no doge's tread, And all its ancient pageantry has fled; Yet, as we muse beneath some dim arcade, The mind's true kindred glide from ruin's shade; In every passing eye that sternly beams We start to meet the Shylock of our dreams; Each maiden form, where virgin grace is seen, Crosses our path with Portia's noble mien; While Desdemona, beauteous as of yore, Yields us the smile that once entranced the Moor. How Scotland's vales are peopled to the heart By her bold minstrel's necromantic art! Along this fern moved Jeannie's patient feet, Where hangs yon mist rose Ellangowan's seat, Here the sad bride first gave her love a tongue, And there the chief's last shout of triumph rung Beside each stream, down every glen they throng The cherish'd offspring of creative song! Long ere brave Nelson shook the Baltic shore, The bard of Avon hallow'd Elsinore: Perchance when moor'd the fleet, awaiting day, To fix the battle's terrible array, Some pensive hero, musing o'er the deep, So soon to fold him in its dreamless sleep, Heard the Dane's sad and self-communing tone Blend with the water's melancholy moan, Recall'd, with prayer and awe-suspended breath His wild and solemn questionings of death, Or caught from land Ophelia's dying song, Swept by the night-breeze plaintively along! W. H. C. HOSMER. [Born, 1814.] His ONE of the most truly American of our poets, that is, one of those whose characteristics are most directly and obviously results of a lifelong familiarity with the scenery, traditions, and institutions of our own country, is WILLIAM HENRY CUYLER HOSMER, of Avon, in western New York. father, a distinguished lawyer, descended from a New England family which had furnished many eminent names to the bench and bar, emigrated at an early period from Connecticut; and his maternal ancestors were the first settlers among the Senecas, whose language he learned in infancy from his mother's lips, and whose mythology and public and private life he has understood as familiarly as if they were his natural inheritance. He was born at Avon, on the fifth of May, 1814, and was educated at the Temple Hill Academy, Geneseo, of which the learned Professor C. C. FELTON, now of Harvard University, was the principal, and at Geneva College. For his literary productions he had already received the honorary degree of master of arts, from Hamilton College and the University of Vermont, before it was conferred in course by his alma mater. He subsequently studied the law, in the office of his father, and on being admitted to practice became his partner. The rank he has held in his profession is indicated by the fact that he succeeded the late Honorable JOHN YOUNG as master in chancery. In 1836, while Wisconsin was still in almost undisturbed possession of the Indians, he spent some time in that territory, and for several months during the southern border war of 1838 and 1839, accompanied by his wife, to whom he had just been married, he was an invalid among the everIn these excursions he had glades of Florida. ample opportunity of studying the Indian character as it is displayed in those regions, and of comparing it with that of the Iroquois. Mr. HOSMER began to write verses at a very early age, and has been an industrious and a prolific author. In 1830 he composed a drama entitled "The Fall of TECUMSEH." His first publication, except contributions to the journals and magazines, was "The Themes of Song," containing about six hundred and fifty lines; this appeared in 1834, and was followed by "The Pioneers of Western New York," in 1838; "The Prospects of the Age," in 1841; "Yonnondio, or the Warriors of the Genesee," in 1844; "The Months," in 1847; "Bird Notes," "Legends of the Senecas," and • Indian Traditions and Songs," in 1850; and a complete collection of his "Poetical Works," in two volumes, in 1853. The longest if not the most important of these Yonnondio," a productions of Mr. HOSMER is tale of the French domination in America in the seventeenth century. It is in octo-syllabic verse, "The red-breast, perch'd in arbour green, So hushed, so noiseless was their pace." "Treading upon the grassy sod As if her feet with moss were shod, Before her darkly lay: Boldly she plunged their depth's within To gain the covert of his lair; There are scattered through the poem passages of reflection in their way not less creditable to the 507 |